{"title":"Furnishing Objects","description":"","products":[{"product_id":"carolingia","title":"CUSTODY - CAROLINGIAN","description":"\u003cblockquote\u003e Walnut box, cm 32.5X17.5X31h limited edition of 14 pieces. Construction features: blocks assembled with vertical fiber, solid national walnut (Iuglans Regia) worked manually by excavation, bleached. Finish: finished with wax impregnator and stripped\u003cbr\u003e Material: Iuglans Regia (National Walnut) from mid-mountain. Sawn in January 1994, dried for 6 months in the trunk and then stripped for 9 years in a covered but ventilated environment. Each specimen is signed and numbered. It is accompanied by a certificate of guarantee that attests to its authenticity and edition.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"The Custody is a small ark that welcomes and protects our dearest things, it is the wrapping with which we lovingly wrap objects, the signs of our affections, it is a small gesture in which we recognize our relationship with Creation.\u003c\/em\u003e \u003cem\u003eThe Custody is the home of our memory, it is a sign of love and a sign of how we ourselves feel loved and protected.\u003c\/em\u003e \u003cem\u003eWe build these small homes with Walnut (Iuglans Regia), a noble and precious wood, which is born and lives in our Prealps.\u003c\/em\u003e \u003cem\u003eWe work the essence following ancient methods and knowledge, a lively sensitivity and great manual skill are the basis of the constructive honesty that guides us. Even in these small containers we want to leave the sign of our vision of life\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eJoseph Rivadossi\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e Wood used: National walnut from the middle of the mountain (province of Italy), worked from solid wood. Blocks assembled and hollowed out by hand. \u003cbr\u003eIuglans Regia (National Walnut) from mid-mountain sawn in January 1994, dried for 6 months in the trunk and then stripped for 9 years in a covered but ventilated environment.\u003c\/p\u003e\n\n\u003cp\u003e The mid-mountain walnut has a particularly beautiful and characteristic structure and color of the fiber. It is also stronger and more resistant than the lowland walnut. The Italian walnut is a rare wood, because it is a very sensitive solitary tree, which does not grow in the forest, but only in areas where it can be cared for and protected.\u003c\/p\u003e\n\n\u003cp\u003e The wood used to make Giuseppe Rivadossi's CASES is walnut that is approximately a hundred years old. \u003cbr\u003eFor the economy of those who lived in the piedmont area, at the beginning of the last century, the walnut was part of the economic production cycle as a precious element of sustenance, they were trees that farmers appreciated for their characteristics of resistance and workability, but no less for the fruit they gave and therefore they were taken into consideration, cared for and protected.\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e The wood used for these cases therefore belongs to a civilization, the peasant one, which today has irremediably disappeared.\u003c\/p\u003e\n\n\u003cp\u003e Processing phases (each step is carried out entirely by hand):\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e The trunk used was felled in the appropriate season of the year, January, and with a waning moon.\u003c\/li\u003e\n\n\u003cli\u003e After a few months the trunk was sawn into planks and immediately reassembled and left to rest for about 6 months. During this period the trunk \"ferments\" by evening out the color and calming the internal tensions in the wood fiber itself.\u003c\/li\u003e\n\n \u003cli\u003eThe wood was then debarked and dried in a dry, ventilated place.\u003c\/li\u003e\n\n\u003cli\u003e After about 10 years, the work can begin: the wood is then roughed out, prismed and reconstituted in a block with special glues so that it can be dug and sculpted. These cutting and recompacting operations are necessary to have wood that, even if it undergoes variations due to the humidity of the environments, will not crack.\u003c\/li\u003e\n\n\u003cli\u003e Giuseppe Rivadossi gives the desired shape to the block of wood by carving it directly with a gouge and chisel, files and sandpaper until he obtains the desired shape and result.\u003c\/li\u003e\n\n\u003cli\u003e We then proceed to the finishing of the surfaces: whitening of the emerging parts; sanding of the surfaces with cuttlefish paper; varnishing with an impregnating agent to close the pores of the wood; re-sanding of the surfaces with increasingly fine cuttlefish paper; stripping; treatment with natural beeswax.\u003c\/li\u003e\n\n\u003cli\u003e Finish: finished with wax impregnator and stripped\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cspan class=\"Apple-converted-space\"\u003eProcessing tools:\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n \u003cli\u003eFor cutting the tree: band saw.\u003c\/li\u003e\n\n\u003cli\u003e For sawing the log: band saw, circular saw, planer, thicknesser.\u003c\/li\u003e\n\n\u003cli\u003e For excavation: specially made cutting steel gouge and chisel.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525186924870,"sku":"NU9CUS\/CAR","price":2585.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NU9CUSCAR-scaled-e1585695154511_2cb29684-21e1-447a-9379-55453d3d0c3a.jpg?v=1694620483"},{"product_id":"case-by-giuseppe-rivadossi-2","title":"Guests of Life, Rivadossi custody","description":"\u003cp\u003e Guests of life is the theme proposed to \u003cstrong\u003eRemo Bodei\u003c\/strong\u003e which gave rise to a \u003cstrong\u003ephilosophical reflection on our time and the relationship with things\u003c\/strong\u003e . The essay, written for Numa in March 2006, is published in a small volume in a limited edition, handmade according to the precious techniques of art publications.\u003c\/p\u003e\n\n\u003cp\u003e For this book \u003cstrong\u003eMichele De Lucchi\u003c\/strong\u003e and \u003cstrong\u003eGiuseppe Rivadossi\u003c\/strong\u003e have designed two limited edition cases, made of leather and aluminum and wood which, together with the book, will become part of Numa's 2006 \u003cem\u003eLimited Edition\u003c\/em\u003e collections.\u003c\/p\u003e\n\n \u003cp\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Remo_Bodei\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eRemo Bodei\u003c\/a\u003e was a professor of philosophy at the University of California, Los Angeles, after having taught for a long time at the Scuola Normale Superiore and at the University of Pisa. He first dealt with classical German idealism and aesthetics, more recently with theories of individuality and logical and temporal anomalies.\u003c\/p\u003e\n\n\u003cp\u003e Material:\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Sectioned mid-mountain national walnut block, excavated and assembled using wooden pins\u003c\/li\u003e\n\n\u003cli\u003e Fine paper from the Sicars paper mill in Catania\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525188989254,"sku":"NU9OSP\/GR","price":2640.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NU9OSPGR_1-scaled-1.jpg?v=1694620530"},{"product_id":"case-by-michele-de-lucchi-2","title":"Guests of Life, De Lucchi custody","description":"\u003cp\u003e Guests of life is the theme proposed to \u003cstrong\u003eRemo Bodei\u003c\/strong\u003e that gave rise to a \u003cstrong\u003ephilosophical reflection on our time and the relationship with things\u003c\/strong\u003e . The essay, written for Numa in March 2006, is published in a small volume in a limited edition, hand-made according to the precious techniques of art publications.\u003c\/p\u003e\n\n\u003cp\u003e For this book \u003cstrong\u003eMichele De Lucchi\u003c\/strong\u003e and \u003cstrong\u003eGiuseppe Rivadossi\u003c\/strong\u003e have designed two limited edition cases, made of leather and aluminum and wood which, together with the book, will become part of Numa's 2006 \u003cem\u003eLimited Edition\u003c\/em\u003e collections.\u003c\/p\u003e\n\n \u003cp\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Remo_Bodei\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eRemo Bodei\u003c\/a\u003e was Professor of Philosophy at the University of California, Los Angeles, after having taught for a long time at the Scuola Normale Superiore and the University of Pisa. He first dealt with classical German idealism and aesthetics, more recently with theories of individuality and logical and temporal anomalies.\u003c\/p\u003e\n\n\u003cp\u003e Material:\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Aluminum and “full grain” leather\u003c\/li\u003e\n\n\u003cli\u003e Fine paper from the Sicars paper mill in Catania\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Processing phases:\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e The satin-finish aluminum plates are fixed using special glues to the “full-grain leather” structure.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525189349702,"sku":"NU9OSP\/MDL","price":1036.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NU9OSPMDL_1-scaled-1.jpg?v=1694620553"},{"product_id":"agnese-2","title":"SECRET BOXES - AGNES","description":"\u003cblockquote\u003e Plywood box cm 18x18x23h, limited edition of 99 pieces. Structure in birch plywood covered with three layers of rosewood. Knob and base in linden. Blue aniline coloring, wax finish.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"I wanted to design boxes to be opened by taking care to lift the lid slowly with both hands, as if the box could sense that I am kind to it and that I do not want to mistreat it in the slightest. Boxes made of precious woods where you can put things that are also a little secret: a special brush, some notebooks of special paper or more simply something that I would like to remain secret. Maybe notes from lovers.\"\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e Ettore Sottsass designed \u003cstrong\u003eScatole Segrete\u003c\/strong\u003e for Numa, in plywood: five small architectures that express a very personal vision of the value of things: that symbolic value that certain objects full of meaning can assume, when we use them for a very specific reason.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eRosalia\u003c\/strong\u003e , \u003cstrong\u003eAgnese\u003c\/strong\u003e , \u003cstrong\u003eTeresa\u003c\/strong\u003e , \u003cstrong\u003eZita\u003c\/strong\u003e and \u003cstrong\u003eAgata\u003c\/strong\u003e are the names of the five wooden boxes proposed in 99 numbered copies. Five small architectures that express a very personal vision of the value of things: that symbolic value that certain objects full of meaning can assume, when we use them for a very specific reason. Five extraordinary interpretations by Ettore Sottsass of a traditional material like wood, in the strongly iconographic language that distinguishes this great designer.\u003c\/p\u003e\n\n\u003cp\u003e Material:\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Maple from Europe worked in solid wood\u003c\/li\u003e\n\n\u003cli\u003e Rosewood from Madagascar\u003c\/li\u003e\n\n\u003cli\u003e Birch from Russia. Birch plywood composed of 7 layers of 20\/10 mm with cross-grain to make the wood stable\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Processing phases:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003col\u003e\n\n \u003cli\u003eThe process begins with a careful choice of wood, which becomes laborious especially for rosewood since the grain pattern must have a certain continuity on the various faces of the object.\u003c\/li\u003e\n\n\u003cli\u003e The birch plywood panel is veneered with 3 layers of rosewood, 6\/10mm thick each.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003eWe proceed to cut the parts that make up the box.\u003c\/li\u003e\n\n\u003cli\u003e We continue with the gluing and interlocking of the parts; the horizontal joints are worked and joined by rebate, the vertical joints are made with internal wooden cores. Extreme care is required in assembling the facades which must have continuity of design of the wood grain.\u003c\/li\u003e\n\n\u003cli\u003e The base and knob are cut from solid maple and left to rest for a few months to further stabilize the wood.\u003c\/li\u003e\n\n\u003cli\u003e They are hand painted with aniline blue pigments.\u003c\/li\u003e\n\n \u003cli\u003eAfter an adequate amount of time, we proceed to treat the surfaces: we go over them with cuttlefish paper and round off the edges.\u003c\/li\u003e\n\n\u003cli\u003e We proceed with a first pass by hand with a brush, of a \"primer\" to close the pores of the wood.\u003c\/li\u003e\n\n\u003cli\u003e The surfaces are then smoothed again by hand with increasingly finer sepia paper.\u003c\/li\u003e\n\n\u003cli\u003e We proceed to stamping.\u003c\/li\u003e\n\n\u003cli\u003e Apply another coat of paint with a brush to make the surface \"silky\".\u003c\/li\u003e\n\n\u003cli\u003e After adequate drying, a layer of natural beeswax is applied by hand.\u003c\/li\u003e\n\n\u003cli\u003e The knob and base are fixed using hidden interlocking cylindrical wooden pins.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003cp\u003eNB- The processing of the colored parts poses particular problems of handling, since the aniline pigment color is particularly invasive. The processing of the colored parts therefore occurs at different times and in different spaces compared to the rest of the production.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525190463814,"sku":"NU9SCA\/AGN","price":2200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NU9SCAAGN_2-scaled-1.jpg?v=1694620577"},{"product_id":"tavola-quadrata-piccola-5","title":"NUMA - SMALL SQUARE TABLE","description":"\u003cp\u003e Tavole are six large limited edition centerpieces, in pewter or pewter and blown glass \"designed to give meaning to the table and make it more magical and ritual\". Extraordinary interpretations by Ettore Sottsass of traditional materials, in the highly iconographic language that distinguishes the great master.\u003c\/p\u003e\n\n \u003cp\u003eEttore Sottsass's design path takes us, in 2004, to the encounter between the lightness and color of Murano glass with the strong architectural construction of the pewter parts. The transparency of the glass does not hide the structure of the metal, it discreetly contains and protects the good fruits and offers them to our desire as a precious commodity. NUMA's fourth collection is made up of six pieces, six centerpieces that tell us about the joy and pleasure of thinking of objects that will accompany us in our daily gestures and rituals, becoming a happy part of our everyday life.\u003c\/p\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave the objects a dark, medieval, Germanic surface: this alloy instead contains antimony: thus brilliant objects are created, similar to silver, which however do not lose their immobility and presence\".\u003cbr\u003e\n Ettore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003ePewter is an ancient material, which was worked in Europe as early as the beginning of the sixteenth century, casting a tin alloy into engraved iron or brass shapes, and subsequently working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Numa collections, is a noble alloy in all respects, it has extraordinary characteristics of ductility and great plastic yield. Contemporary Pewter is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains the peculiar characteristics that distinguish it and the great plastic yield unchanged; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as naturally for all furnishing objects. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Material:\u003c\/p\u003e\n\n \u003cp\u003ePewter is an alloy composed of tin and small quantities of antimony and copper. Due to its ductility it has been used by man since ancient times to create commonly used objects. In the centuries closest to us, a percentage of lead was added to tin, which was soon banned due to its toxicity. The pewter used to make Numa objects is an alloy composed of 95% tin, and the absolute absence of lead makes it fully compliant with the EN-611\/1 regulation of the EEC.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Processing steps:\u003c\/p\u003e\n\n\u003col\u003e\n\n\u003cli\u003e The first operation relating to the production cycle is the purchase of the raw material in blocks or sheets of pewter ready to be melted, or the purchase of blocks or sheets of tin, wires or bars of copper and antimony, which, melted in the special melting furnace at a temperature of 250-300° C, give the pewter\u003c\/li\u003e\n\n \u003cli\u003eThe molten metal is poured manually using a ladle into the rubber molds. These molds are mounted on centrifuges: machines that rotate the mold during the casting and drying phase of the alloy.\u003c\/li\u003e\n\n\u003cli\u003e After the drying phase, the operator extracts the product, which is subsequently deburred with scissors and sanded.\u003c\/li\u003e\n\n\u003cli\u003e For the pieces that require it, manual assembly follows through soldering\u003c\/li\u003e\n\n\u003cli\u003e The pieces are then manually inserted into the vibrators, where they remain for approximately 2 hours. The vibration smoothes the surface of the object using water and ceramic inserts (inert material).\u003c\/li\u003e\n\n\u003cli\u003e Upon exiting the vibrators, the pieces are checked and possibly straightened using rubber hammers. After this phase we move on to the final phase of hand polishing using brushes.\u003c\/li\u003e\n\n\u003cli\u003e Each single piece is finally stamped with the designer's signature, the Numa logo and its numbering. \u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n \u003cp\u003eNB All processing phases are carried out by highly specialized workers at the atelier of the master pewter Alfredo Marinoni, Cellatica (BS). \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525190594886,"sku":"ME9TLI\/PIQU","price":1571.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9TLIPIQU.jpg?v=1694620587"},{"product_id":"tavola-quadrata-grande-3","title":"Large Square Table","description":"\u003cp\u003e Tavole are six large limited edition centrepieces, in pewter or pewter and blown glass \"designed to give meaning to the table and make it more magical and ritual\". Extraordinary interpretations by Ettore Sottsass of traditional materials, in the highly iconographic language that distinguishes the great master.\u003c\/p\u003e\n\n \u003cp\u003eEttore Sottsass's design path takes us, in 2004, to the encounter between the lightness and color of Murano glass with the strong architectural construction of the pewter parts. The transparency of the glass does not hide the structure of the metal, it discreetly contains and protects the good fruits and offers them to our desire as a precious commodity. NUMA's fourth collection is made up of six pieces, six centerpieces that tell us about the joy and pleasure of thinking of objects that will accompany us in our daily gestures and rituals, becoming a happy part of our everyday life.\u003c\/p\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right\"\u003e\u003cem\u003e«Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave the objects a dark, medieval, Germanic surface: this alloy instead contains antimony: thus brilliant objects are created, similar to silver, which however do not lose their immobility and presence\".\u003cbr\u003e\n Ettore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003ePewter is an ancient material, which was worked in Europe as early as the beginning of the sixteenth century, casting a tin alloy into engraved iron or brass shapes, and subsequently working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Numa collections, is a noble alloy in all respects, it has extraordinary characteristics of ductility and great plastic yield. Contemporary Pewter is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains the peculiar characteristics that distinguish it and the great plastic yield unchanged; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as naturally for all furnishing objects. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Material:\u003c\/p\u003e\n\n \u003cp\u003ePewter is an alloy composed of tin and small quantities of antimony and copper. Due to its ductility it has been used by man since ancient times to create commonly used objects. In the centuries closest to us, a percentage of lead was added to tin, which was soon banned due to its toxicity. The pewter used to make Numa objects is an alloy composed of 95% tin, and the absolute absence of lead makes it fully compliant with the EN-611\/1 regulation of the EEC.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Processing steps:\u003c\/p\u003e\n\n\u003col\u003e\n\n\u003cli\u003e The first operation relating to the production cycle is the purchase of the raw material in blocks or sheets of pewter ready to be melted, or the purchase of blocks or sheets of tin, wires or bars of copper and antimony, which, melted in the special melting furnace at a temperature of 250-300° C, give the pewter\u003c\/li\u003e\n\n \u003cli\u003eThe molten metal is poured manually using a ladle into the rubber molds. These molds are mounted on centrifuges: machines that rotate the mold during the casting and drying phase of the alloy.\u003c\/li\u003e\n\n\u003cli\u003e After the drying phase, the operator extracts the product, which is subsequently deburred with scissors and sanded.\u003c\/li\u003e\n\n\u003cli\u003e For the pieces that require it, manual assembly follows through soldering\u003c\/li\u003e\n\n\u003cli\u003e The pieces are then manually inserted into the vibrators, where they remain for approximately 2 hours. The vibration smoothes the surface of the object using water and ceramic inserts (inert material).\u003c\/li\u003e\n\n\u003cli\u003e Upon exiting the vibrators, the pieces are checked and possibly straightened using rubber hammers. After this phase we move on to the final phase of hand polishing using brushes.\u003c\/li\u003e\n\n\u003cli\u003e Each single piece is finally stamped with the designer's signature, the Numa logo and its numbering. \u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n \u003cp\u003eNB All processing phases are carried out by highly specialized workers at the atelier of the master pewter Alfredo Marinoni, Cellatica (BS). \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525190660422,"sku":"ME1TLI\/QUAD","price":3000.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9TLIQUAD-scaled-1.jpg?v=1694620605"},{"product_id":"ledro-3","title":"METALLIA - LEDRO","description":"\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eCenterpiece ø 30 cm h.5. Cast pewter, for a circular shape that sinks into the center in three unexpected supports.\u003cbr\u003e The surface is soft like soil crumbly with water and gently dried by the sun.\u003cbr\u003e Three recesses lift it from the surface and offer the viewer what is contained within, as a precious object to admire.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525191905606,"sku":"ME9BDLED","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9BDLED-Metallia-Ledro.jpg?v=1694620646"},{"product_id":"aleppo-2","title":"METALLIA - ALEPPO","description":"\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave the objects a dark, medieval, Germanic surface: this alloy instead contains antimony: thus brilliant objects are created, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e\n \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new shapes, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers , of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was worked in Europe as early as the beginning of the sixteenth century, casting a tin alloy into engraved iron or brass shapes, and subsequently working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, it has extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains the peculiar characteristics that distinguish it and the great plastic yield unchanged; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as naturally for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition underlying METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic abilities of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensitivity, particularly attentive to the use of materials in the artisan and industrial fields, enthusiastically joined the realization of the METALLIA project . The adhesion of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , an anarchist poet of this century's architecture and one of the fathers of design, was of fundamental comfort to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for a meeting between the knowledge of the craftsman, who knows the material and the techniques for working it, and the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of doing.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525192233286,"sku":"ME9SOALE","price":273.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9SOALE_1.jpg?v=1694620653"},{"product_id":"astarte-2","title":"METALLIA - ASTARTE","description":"\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave the objects a dark, medieval, Germanic surface: this alloy instead contains antimony: thus brilliant objects are created, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e\n \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new shapes, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers , of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was worked in Europe as early as the beginning of the sixteenth century, casting a tin alloy into engraved iron or brass shapes, and subsequently working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, it has extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains the peculiar characteristics that distinguish it and the great plastic yield unchanged; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as naturally for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition underlying METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic abilities of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensitivity, particularly attentive to the use of materials in the artisan and industrial fields, enthusiastically joined the realization of the METALLIA project . The adhesion of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , an anarchist poet of this century's architecture and one of the fathers of design, was of fundamental comfort to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for a meeting between the knowledge of the craftsman, who knows the material and the techniques for working it, and the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of doing.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525192659270,"sku":"ME9SOAST","price":273.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9SOALE-Aleppo.jpg?v=1694620662"},{"product_id":"cadmo-2","title":"METALLIA - CADMIUM","description":"\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right\"\u003e \u003cem\u003e«Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave the objects a dark, medieval, Germanic surface: this alloy instead contains antimony: thus brilliant objects are created, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e\n \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new shapes, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers , of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was worked in Europe as early as the beginning of the sixteenth century, casting a tin alloy into engraved iron or brass shapes, and subsequently working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, it has extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains the peculiar characteristics that distinguish it and the great plastic yield unchanged; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as naturally for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition underlying METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic abilities of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensitivity, particularly attentive to the use of materials in the artisan and industrial fields, enthusiastically joined the realization of the METALLIA project . The adhesion of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , an anarchist poet of this century's architecture and one of the fathers of design, was of fundamental comfort to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for a meeting between the knowledge of the craftsman, who knows the material and the techniques for working it, and the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of doing.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525192724806,"sku":"ME9SOCAD","price":273.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/Candelabro_Cadmo_Sottsass.jpg?v=1694620670"},{"product_id":"lario-3","title":"METALLIA - LARIO","description":"\u003cblockquote\u003e Rectangular tray cm 60x12 h.3. The molten pewter unravels and sinks before our attention, becoming a continuous line that defines the final shape. \u003cbr\u003eThe molten surface is never perfectly smooth, just as the ground gently dug by nature is never perfectly smooth.\u003cbr\u003e The two hollows in the metal, which become pedestals, raise this long silver band from the support surface, to let us admire the beauty of the material and the clever play of dimensional relationships.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525193118022,"sku":"ME9BDLAR","price":236.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9BDLAR_1.jpg?v=1694620694"},{"product_id":"idro-4","title":"METALLIA - HYDRO","description":"\u003cblockquote\u003eOval tray \/ centerpiece cm 43x20 h.3. Cast pewter, expertly polished by hand, the metal is shaped and curved, with a play of hollows and sinkholes, becoming a continuous line that determines its final shape.\u003cbr\u003e The surface, defined by the fusion, is plastic and material, almost like lumpy earth gently dug by nature.\u003cbr\u003e These objects are the result of rigorous and at the same time inspired thought, suggestions of mysterious and enigmatic images.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also confirmed by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, have enthusiastically joined the creation of the METALLIA project.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe participation of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental comfort to the project.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eMetallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525193216326,"sku":"ME9BDIDR","price":161.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9BDIDR_1-copia.jpg?v=1694620704"},{"product_id":"aristotele-4","title":"METALLIA - ARISTOTLE","description":"\u003cblockquote\u003eSingle flower vase cm ø 9 h.22 The image of an upside-down glass with a flower coming out of its stem. A small object that makes you smile and surprises you about how reality can reveal unexpected meanings.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525193281862,"sku":"ME9LEARI","price":90.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/Metallia-Aristotele-design-Giovanni-Levanti.jpg?v=1694620712"},{"product_id":"casciano-3","title":"METALLIA - CASCIANO","description":"\u003cblockquote\u003eCenterpiece for flowers\/fruit cm ø 32 h.26. It blooms from a canaletto walnut wood support to offer us a gift of nature, be it a lumpy orange or an apple with acid colors, a flowering branch or a daisy picked during a walk.\u003cbr\u003e The surface of the pewter defined by the fusion, vibrates in the light and brings to mind images of lands and the works of ancient craftsmen.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , an anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525193314630,"sku":"ME9BOCAS","price":558.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9BOCAS_1.jpg?v=1694620721"},{"product_id":"tenno-2","title":"METALLIA - TENNO","description":"\u003cblockquote\u003e\n\n\u003cp style=\"text-align: left;\"\u003e Small rectangular tray cm 15x6 h.3. It is a small object that in its wise beauty keeps us company in the places where we read, work or rest. \u003cbr\u003eIt doesn’t claim to be “useful” but its little perfection restores us.\u003c\/p\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , an anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525193478470,"sku":"ME9BDTEN","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9BDLAR_1-e1585777279513.jpg?v=1694620728"},{"product_id":"antimo-2","title":"METALLIA - ANTIMONY","description":"\u003cblockquote\u003eSet of three bowls cm ø 24.5 h.15 \/ ø 18 h.9 \/ ø 2.5 h.4. Inserted one inside the other with decreasing heights, they find their place on our tables, in our cupboards ready to offer cherries, apples, strawberries... a place to give themselves in beauty. Containing and playing with the tenderness of the fruits and the boldness of the colors, seems to be the challenge of these objects strong and simple at the same time, in their primordial form of bowls designed and built to be used.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525193576774,"sku":"ME9BOANT","price":746.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9BOANT_Antimo.jpg?v=1694620744"},{"product_id":"quirico-3","title":"METALLIA - QUIRICO","description":"\u003cblockquote\u003eSet of three bowls cm ø 24.5 h.15 \/ ø 18.5 h.15 \/ ø 13 h.21.5 \u003cbr data-mce-fragment=\"1\"\u003eSimple shapes, which contain and embrace each other with extraordinary strength. Material and vibrant surfaces, defined by the artisanal fusion of pewter, horizontal planes that determine strong thicknesses, emerging bodies ready to be used, suggest an idea of ​​great power.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525193609542,"sku":"ME9BOQUI","price":1945.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9BOQUI_1.jpg?v=1694620752"},{"product_id":"galatea-3","title":"METALLIA - GALATEA","description":"\u003cblockquote\u003eConical box cm ø 18.5 h.6, whose lid acts as a small tray. The beautiful box becomes a case and a support surface, with its concave lid, for the things dear to us, precious or sweet as they may be. The slender handle tempts those who see it to discover what it contains. The artisanal fusion of pewter brings to life the surface that defines its elegant shape.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525194363206,"sku":"ME9LEGAL","price":184.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9LEGAL_1-e1585862210412.jpg?v=1694620774"},{"product_id":"parmenide","title":"METALLIA - PARMENIDES","description":"\u003cblockquote\u003e Single flower vase cm ø 9 h.22. Small minimalist ampoule for contemplation and exaltation of the content, try with a daisy.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525196493126,"sku":"ME9LEPAR","price":76.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9LEPAR-Parmenide-Levanti.jpg?v=1694620790"},{"product_id":"vaso-tredici-5","title":"Vase Thirteen","description":"\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«Produced in limited numbers, these vases were modeled recalling the metaphor of the tree. They are objects that present themselves as table architecture, which show the dimension and measure of the gesture and of the hands that shaped them\"».\u003c\/em\u003e\u003cbr\u003e\n \u003cem\u003eMario Botta\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e Unmistakable examples of Mario Botta's style and poetics, these thirteen vases present themselves as presences of extraordinary communicative force in the contemporary home, according to an idea of ​​living linked to the quality of the objects that populate it, particularly dear to the Numa project.\u003c\/p\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«When I read these words that Mario Botta had written for the presentation of the vases he designed, I understood that I could find in him the harmony I was looking for to be able to create, with pewter, the works he had designed. The collection designed by Mario Botta consists of 13 vases, 6 of which are now put into production by Numa in a limited edition of 33 pieces. Each vase is made from melted pewter sheets, shaped and welded by hand. It is handcrafted with brushing and polishing operations. The thirteen vases that we now present are presences of extraordinary communicative power, unmistakable examples of Mario Botta's sign and poetics; they are the representation of the work of Alfredo Marinoni, a true master in pewter working, with whom I shared the entire Numa journey with the material that he works with unparalleled mastery. Tredicivasi is the increasingly fascinating continuation of the Numa journey and project.\"\u003cbr\u003e\n Roberto Zani\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003eTredicivasi is a collection of large pewter vases, designed by Mario Botta with multiple arms as a \"tree metaphor\". Thirteen table architectures whose geometries are expressed very well by pewter, an ancient material of great plastic strength. A material that Numa has brought back to the contemporary in recent years by entrusting its manufacturing to Alfredo Marinoni, a master in working with pewter and who for these vases is cast in slabs and subsequently finished by hand.\u003c\/p\u003e\n\n\u003cp\u003e Vases obtained from the fusion of pewter plates (alloy of tin, antimony and copper), modeled, welded and polished by hand. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Material.\u003cbr\u003e\n Pewter is an alloy composed of tin and small quantities of antimony and copper. Due to its ductility it has been used by man since ancient times to create commonly used objects. In the centuries closest to us, a percentage of lead was added to tin, which was soon banned due to its toxicity.\u003cbr\u003e \nThe pewter used to make Numa objects is an alloy composed of 95% tin, and the absolute absence of lead makes it fully compliant with the EN-611\/1 regulation of the EEC. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Processing steps:\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e The first operation relating to the production cycle is the purchase of the raw material in blocks or sheets of pewter ready to be melted, or the purchase of blocks or sheets of tin, wires or bars of copper and antimony, which, melted in the special melting furnace at a temperature of 250-300° C, give the pewter\u003c\/li\u003e\n\n\u003cli\u003e The molten metal is poured manually to form pewter plates of varying sizes. The sheets are folded and adhered to wooden or ceramic cores until the desired shape is reached.\u003c\/li\u003e\n\n\u003cli\u003e The various parts are then assembled using tin welding, to form the vase in its final shape.\u003c\/li\u003e\n\n\u003cli\u003e Polishing operations using brushes follow.\u003c\/li\u003e\n\n\u003cli\u003e Each individual vase is finally stamped with the designer's signature, the Numa logo and its numbering.\n\u003cdiv class=\"column\"\u003e\n\n \u003cp\u003eNB The process of making these vases is carried out entirely by hand.\u003cbr\u003e\n All processing phases are carried out by highly specialized workers at the atelier of the master pewter Alfredo Marinoni, Cellatica (BS). \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525196853574,"sku":"NU1TRV\/13","price":3170.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NuMA-13-Vasi-Tredici-particolare.jpg?v=1694620812"},{"product_id":"saturno-2","title":"METALLIA - SATURN","description":"\u003cblockquote\u003e\n\n \u003cspan\u003eCenterpiece \/ Decorative plate cm ø 32 h.2.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eIt is still the research on the plastic treatment of surfaces that guides the design of this beautiful plate.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eAgain with a surprising result. What is it that completely covers the surface of the plate, creating a continuous play of shadows and light, with a three-dimensional effect of the texture? Small air bubbles trapped under the \"transparent\" surface of the metal? Drops of water on a mirror?\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eNaturalistic references for an object made with a material, pewter, extraordinary in its ductility and versatility and which is still worked today with the experience and mastery of the best craftsmen.\u003c\/span\u003e\n\n\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525197148486,"sku":"ME9STSA","price":256.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9STSAT_Saturno.jpg?v=1694620830"},{"product_id":"plutone-2","title":"METALLIA - PLUTO","description":"\u003cblockquote\u003e Centerpiece \/ Decorative plate cm ø 32 h.2.\u003cbr\u003e It is still the research on the plastic treatment of surfaces that guides the design of this beautiful plate. \u003cbr\u003eAgain with a surprising result. What is it that completely covers the surface of the plate, creating a continuous play of shadows and light, with a three-dimensional effect of the texture? Small air bubbles trapped under the \"transparent\" surface of the metal? Drops of water on a mirror?\u003cbr\u003e Naturalistic references for an object made with a material, pewter, extraordinary in its ductility and versatility and which is still worked today with the experience and mastery of the best craftsmen.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525197738310,"sku":"ME9STPLU","price":256.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9STPLU-Plutone_c2bfbcd5-3549-424d-a8a0-07e9a87c0f0c.jpg?v=1694620839"},{"product_id":"vaso-quattro-3","title":"Vase Four","description":"\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«Produced in limited numbers, these vases were modeled recalling the metaphor of the tree. They are objects that present themselves as table architecture, which show the dimension and measure of the gesture and of the hands that shaped them\"».\u003c\/em\u003e\u003cbr\u003e\n \u003cem\u003eMario Botta\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e Unmistakable examples of Mario Botta's style and poetics, these thirteen vases present themselves as presences of extraordinary communicative force in the contemporary home, according to an idea of ​​living linked to the quality of the objects that populate it, particularly dear to the Numa project.\u003c\/p\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«When I read these words that Mario Botta had written for the presentation of the vases he designed, I understood that I could find in him the harmony I was looking for to be able to create, with pewter, the works he had designed. The collection designed by Mario Botta consists of 13 vases, 6 of which are now put into production by Numa in a limited edition of 33 pieces. Each vase is made from melted pewter sheets, shaped and welded by hand. It is handcrafted with brushing and polishing operations. The thirteen vases that we now present are presences of extraordinary communicative power, unmistakable examples of Mario Botta's sign and poetics; they are the representation of the work of Alfredo Marinoni, a true master in pewter working, with whom I shared the entire Numa journey with the material that he works with unparalleled mastery. Tredicivasi is the increasingly fascinating continuation of the Numa journey and project.\"\u003cbr\u003e\n Roberto Zani\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003eTredicivasi is a collection of large pewter vases, designed by Mario Botta with multiple arms as a \"tree metaphor\". Thirteen table architectures whose geometries are expressed very well by pewter, an ancient material of great plastic strength. A material that Numa has brought back to the contemporary in recent years by entrusting its manufacturing to Alfredo Marinoni, a master in working with pewter and who for these vases is cast in slabs and subsequently finished by hand.\u003c\/p\u003e\n\n\u003cp\u003e Vases obtained from the fusion of pewter plates (alloy of tin, antimony and copper), modeled, welded and polished by hand. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Material.\u003cbr\u003e\n Pewter is an alloy composed of tin and small quantities of antimony and copper. Due to its ductility it has been used by man since ancient times to create commonly used objects. In the centuries closest to us, a percentage of lead was added to tin, which was soon banned due to its toxicity.\u003cbr\u003e \nThe pewter used to make Numa objects is an alloy composed of 95% tin, and the absolute absence of lead makes it fully compliant with the EN-611\/1 regulation of the EEC. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Processing steps:\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e The first operation relating to the production cycle is the purchase of the raw material in blocks or sheets of pewter ready to be melted, or the purchase of blocks or sheets of tin, wires or bars of copper and antimony, which, melted in the special melting furnace at a temperature of 250-300° C, give the pewter\u003c\/li\u003e\n\n\u003cli\u003e The molten metal is poured manually to form pewter plates of varying sizes. The sheets are folded and adhered to wooden or ceramic cores until the desired shape is reached.\u003c\/li\u003e\n\n\u003cli\u003e The various parts are then assembled using tin welding, to form the vase in its final shape.\u003c\/li\u003e\n\n\u003cli\u003e Polishing operations using brushes follow.\u003c\/li\u003e\n\n\u003cli\u003e Each individual vase is finally stamped with the designer's signature, the Numa logo and its numbering.\n\u003cdiv class=\"column\"\u003e\n\n \u003cp\u003eNB The process of making these vases is carried out entirely by hand.\u003cbr\u003e\n All processing phases are carried out by highly specialized workers at the atelier of the master pewter Alfredo Marinoni, Cellatica (BS). \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525199278406,"sku":"NU1TRV\/4","price":3170.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NuMA-13-Vasi-Quattro-particolare.jpg?v=1694620856"},{"product_id":"cosma-e-damiano","title":"Cosma and Damiano","description":"\u003cblockquote\u003e Candelabra cm 4x10 h.15. The research on the plastic treatment of surfaces that characterizes the project for Metallia by architects Susani and Trimarchi is resumed in this object. \u003cbr\u003eThe small horizontal cane workmanship embellishes the elegant body of the candelabra. The two slender cylindrical bodies are “tied” to the base with a smooth oval plate.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525199737158,"sku":"ME9STCOS","price":145.2,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9ST-Cosma-e-Damiano-con-Tacito.jpg?v=1694620881"},{"product_id":"vaso-dodici-4","title":"Vase Twelve","description":"\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«Produced in limited numbers, these vases were modeled recalling the metaphor of the tree. They are objects that present themselves as table architecture, which show the dimension and measure of the gesture and of the hands that shaped them\"».\u003c\/em\u003e\u003cbr\u003e\n \u003cem\u003eMario Botta\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e Unmistakable examples of Mario Botta's style and poetics, these thirteen vases present themselves as presences of extraordinary communicative force in the contemporary home, according to an idea of ​​living linked to the quality of the objects that populate it, particularly dear to the Numa project.\u003c\/p\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«When I read these words that Mario Botta had written for the presentation of the vases he designed, I understood that I could find in him the harmony I was looking for to be able to create, with pewter, the works he had designed. The collection designed by Mario Botta consists of 13 vases, 6 of which are now put into production by Numa in a limited edition of 33 pieces. Each vase is made from melted pewter sheets, shaped and welded by hand. It is handcrafted with brushing and polishing operations. The thirteen vases that we now present are presences of extraordinary communicative power, unmistakable examples of Mario Botta's sign and poetics; they are the representation of the work of Alfredo Marinoni, a true master in pewter working, with whom I shared the entire Numa journey with the material that he works with unparalleled mastery. Tredicivasi is the increasingly fascinating continuation of the Numa journey and project.\"\u003cbr\u003e\n Roberto Zani\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003eTredicivasi is a collection of large pewter vases, designed by Mario Botta with multiple arms as a \"tree metaphor\". Thirteen table architectures whose geometries are expressed very well by pewter, an ancient material of great plastic strength. A material that Numa has brought back to the contemporary in recent years by entrusting its manufacturing to Alfredo Marinoni, a master in working with pewter and who for these vases is cast in slabs and subsequently finished by hand.\u003c\/p\u003e\n\n\u003cp\u003e Vases obtained from the fusion of pewter plates (alloy of tin, antimony and copper), modeled, welded and polished by hand. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Material.\u003cbr\u003e\n Pewter is an alloy composed of tin and small quantities of antimony and copper. Due to its ductility it has been used by man since ancient times to create commonly used objects. In the centuries closest to us, a percentage of lead was added to tin, which was soon banned due to its toxicity.\u003cbr\u003e \nThe pewter used to make Numa objects is an alloy composed of 95% tin, and the absolute absence of lead makes it fully compliant with the EN-611\/1 regulation of the EEC. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Processing steps:\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e The first operation relating to the production cycle is the purchase of the raw material in blocks or sheets of pewter ready to be melted, or the purchase of blocks or sheets of tin, wires or bars of copper and antimony, which, melted in the special melting furnace at a temperature of 250-300° C, give the pewter\u003c\/li\u003e\n\n\u003cli\u003e The molten metal is poured manually to form pewter plates of varying sizes. The sheets are folded and adhered to wooden or ceramic cores until the desired shape is reached.\u003c\/li\u003e\n\n\u003cli\u003e The various parts are then assembled using tin welding, to form the vase in its final shape.\u003c\/li\u003e\n\n\u003cli\u003e Polishing operations using brushes follow.\u003c\/li\u003e\n\n\u003cli\u003e Each individual vase is finally stamped with the designer's signature, the Numa logo and its numbering.\n\u003cdiv class=\"column\"\u003e\n\n \u003cp\u003eNB The process of making these vases is carried out entirely by hand.\u003cbr\u003e\n All processing phases are carried out by highly specialized workers at the atelier of the master pewter Alfredo Marinoni, Cellatica (BS). \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525202293062,"sku":"NU1TRV\/12","price":3170.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NuMA-13Vasi-design-Mario-Botta-Dodici.jpg?v=1694620889"},{"product_id":"vaso-nove-7","title":"THIRTEENCANS - CAN NINE","description":"\u003cblockquote\u003e Pewter vase cm 39x21x27,5 h, limited edition of 33 pieces made on request. Vases obtained by melting sheets of pewter (alloy of tin, antimony and copper), modeled, soldered and polished by hand.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"Produced in limited numbers, these vases were modeled by recalling the metaphor of the tree. They are objects that present themselves as table architectures, which show the size and measure of the gesture and the hands that shaped them.\"\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eMario Botta\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e Unmistakable examples of Mario Botta's style and poetics, these thirteen vases present themselves as presences of extraordinary communicative power in the contemporary home, according to an idea of ​​living linked to the quality of the objects that populate it, particularly dear to the Numa project.\u003c\/p\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«When I read these words that Mario Botta had written for the presentation of the vases he designed, I understood that I could find in him the harmony I was looking for to be able to create, with pewter, the works he had designed. The collection designed by Mario Botta is composed of 13 vases, 6 of which are now being produced by Numa in a limited edition of 33 pieces. Each vase is obtained from sheets of pewter melted, shaped and welded by hand. It is finished by hand with brushing and polishing operations. The thirteen vases that we are now presenting are presences of extraordinary communicative force, unmistakable examples of Mario Botta's sign and poetics; they are the representation of the work of Alfredo Marinoni, a true Master in pewter processing, with whom I have shared the entire Numa journey expressed with the material he works with unparalleled mastery. Tredicivasi is the increasingly fascinating continuation of the Numa journey and project».\u003cbr\u003e Roberto Zani\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003eTredicivasi is a collection of large pewter vases, designed by Mario Botta with multiple arms as a “metaphor of the tree”. Thirteen table architectures whose geometries are very well expressed by pewter, an ancient material of great plastic strength. A material that Numa has brought back to the contemporary in recent years by entrusting its manufacture to Alfredo Marinoni, a master in the processing of pewter and which for these vases is cast in sheets and then finished by hand.\u003c\/p\u003e\n\n\u003cp\u003e Vases obtained by melting sheets of pewter (an alloy of tin, antimony and copper), shaped, welded and polished by hand. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Material.\u003cbr\u003e Pewter is an alloy composed of tin and small quantities of antimony and copper. Due to its ductility, it has been used since ancient times by man to create objects of common use. In the centuries closest to us, a percentage of lead was added to the tin, which was soon banned due to its toxicity. \u003cbr\u003eThe pewter used to make Numa objects is an alloy composed of 95% tin, and the absolute absence of lead makes it fully compliant with the EEC regulation EN-611\/1. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Processing phases:\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e The first operation related to the production cycle is the purchase of the raw material in loaves or sheets of pewter ready to be melted, or the purchase of loaves or sheets of tin, wires or bars of copper and antimony, which, melted in the appropriate melting furnace at a temperature of 250-300° C, give the pewter.\u003c\/li\u003e\n\n\u003cli\u003e The molten metal is poured manually to form pewter sheets of varying sizes. The sheets are bent and made to adhere to wooden or ceramic cores until they reach the desired shape.\u003c\/li\u003e\n\n\u003cli\u003e The various parts are then assembled through tin welding, until the vase is formed in its final shape.\u003c\/li\u003e\n\n\u003cli\u003e Polishing operations using brushes follow.\u003c\/li\u003e\n\n\u003cli\u003e Each single vase is finally stamped with the designer's signature, the Numa logo and its numbering.\n\u003cdiv class=\"column\"\u003e\n\n \u003cp\u003eNB The process of making these vases is done entirely by hand.\u003cbr\u003e All the manufacturing phases are carried out by highly specialized workers, at the atelier of the master pewterer Alfredo Marinoni, Cellatica (BS). \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525202587974,"sku":"NU9TRV\/9","price":3057.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/13-Vasi-Mario-Botta-Nove-scorcio.jpg?v=1694620900"},{"product_id":"iside-2","title":"METALLIA - ISIS","description":"\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right\"\u003e \u003cem\u003e«Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave the objects a dark, medieval, Germanic surface: this alloy instead contains antimony: thus brilliant objects are created, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e\n \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new shapes, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers , of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was worked in Europe as early as the beginning of the sixteenth century, casting a tin alloy into engraved iron or brass shapes, and subsequently working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, it has extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains the peculiar characteristics that distinguish it and the great plastic yield unchanged; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as naturally for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition underlying METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic abilities of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensitivity, particularly attentive to the use of materials in the artisan and industrial fields, enthusiastically joined the realization of the METALLIA project . The adhesion of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , an anarchist poet of this century's architecture and one of the fathers of design, was of fundamental comfort to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for a meeting between the knowledge of the craftsman, who knows the material and the techniques for working it, and the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of doing.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525209469254,"sku":"ME9SOISI","price":470.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9SOISI_Iside_Ettore_Sottsass.jpg?v=1694621069"},{"product_id":"rosalia","title":"SECRET BOXES - ROSALIA","description":"\u003cblockquote\u003e Plywood box cm 25x25x18h, limited edition of 99 pieces. Birch plywood structure covered in maple. Solid maple lid and ebony knob. Red aniline coloring and wax finish.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"I wanted to design boxes to be opened by taking care to lift the lid slowly with both hands, as if the box could sense that I am kind to it and that I do not want to mistreat it in the slightest. Boxes made of precious woods where you can put things that are also a little secret: a special brush, some notebooks of special paper or more simply something that I would like to remain secret. Maybe notes from lovers.\"\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003eEttore Sottsass designed \u003cstrong\u003eScatole Segrete\u003c\/strong\u003e for Numa, in plywood: five small architectures that express a very personal vision of the value of things: that symbolic value that certain objects full of meaning can assume, when we use them for a very specific reason.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eRosalia\u003c\/strong\u003e , \u003cstrong\u003eAgnese\u003c\/strong\u003e , \u003cstrong\u003eTeresa\u003c\/strong\u003e , \u003cstrong\u003eZita\u003c\/strong\u003e and \u003cstrong\u003eAgata\u003c\/strong\u003e are the names of the five wooden boxes proposed in 99 numbered copies. Five small architectures that express a very personal vision of the value of things: that symbolic value that certain objects full of meaning can assume, when we use them for a very specific reason. Five extraordinary interpretations by Ettore Sottsass of a traditional material like wood, in the strongly iconographic language that distinguishes this great designer.\u003c\/p\u003e\n\n\u003cp\u003e Material:\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Maple from Europe worked in solid wood\u003c\/li\u003e\n\n\u003cli\u003e Ebony from Indonesia, solid wood\u003c\/li\u003e\n\n \u003cli\u003eBirch from Russia. Birch plywood made of 7 layers of 20\/10mm with cross-grain to make the wood stable.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Processing phases:\u003c\/p\u003e\n\n\u003col\u003e\n\n\u003cli\u003e The process begins with a careful selection of the wood to obtain a homogeneous effect of the color and design of the fibers.\u003c\/li\u003e\n\n\u003cli\u003e The birch plywood panel is veneered with a 20\/10 mm layer of maple on both sides.\u003c\/li\u003e\n\n\u003cli\u003e We proceed to cut the parts that make up the box.\u003c\/li\u003e\n\n\u003cli\u003e The parts are assembled by gluing and interlocking them; the horizontal joints are worked and joined by rebate; the vertical joints are made with internal wooden cores.\u003c\/li\u003e\n\n\u003cli\u003e The lid of the box is built by hand turning the solid maple.\u003c\/li\u003e\n\n \u003cli\u003eThe knob is made by turning the ebony block by hand, after a careful selection of the trunk. The ebony trunks are small and full of defects. There is a waste of about 70% to obtain blocks of solid wood suitable for processing. The knobs and the maple top of the lid are left to rest for several months to allow further stabilization of the wood.\u003c\/li\u003e\n\n\u003cli\u003e After an adequate amount of time, proceed by working the surfaces of the box by hand with cuttlefish paper and rounding off the edges.\u003c\/li\u003e\n\n\u003cli\u003e The body of the box is painted with red aniline pigments.\u003c\/li\u003e\n\n\u003cli\u003e We proceed with a first pass of \"primer\" by hand to close the pores of the wood.\u003c\/li\u003e\n\n\u003cli\u003e The surfaces are then smoothed again by hand with increasingly finer sepia paper.\u003c\/li\u003e\n\n\u003cli\u003e We proceed to stamping.\u003c\/li\u003e\n\n\u003cli\u003e Another coat of paint is applied, with a brush, to make the surface \"silky\".\u003c\/li\u003e\n\n\u003cli\u003e After adequate drying, a layer of natural beeswax is applied by hand.\u003c\/li\u003e\n\n \u003cli\u003eThe knob is fixed to the lid of the box using a hidden, interlocking cylindrical wooden pin.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003cp\u003e NB. The processing of ebony parts requires great care, since ebony releases a black dust when raw that penetrates the fiber of other woods, dirtying them irreparably. Ebony must therefore be worked alone and separated from other woods.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525210943814,"sku":"NU9SCA\/ROS","price":2000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NU9SCAROS-scaled-1.jpg?v=1694621112"},{"product_id":"tibullo-2","title":"METALS - TIBULLUS","description":"\u003cblockquote\u003e Jar cm ø 10 h.18. It is the third of the family of containers designed by Susani and Trimarchi for Metallia. A fully worked surface for a deliberately simple and explanatory shape. Jar? Be careful, a rose might pop out of the lid!\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525211173190,"sku":"ME9STTIB","price":210.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9STTIB_3-e1585868160136.jpg?v=1694621134"},{"product_id":"vaso-undici","title":"Jar Eleven","description":"\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«Produced in limited numbers, these vases were modeled recalling the metaphor of the tree. They are objects that present themselves as table architecture, which show the dimension and measure of the gesture and of the hands that shaped them\"\".\u003c\/em\u003e\u003cbr\u003e\n \u003cem\u003eMario Botta\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e Unmistakable examples of Mario Botta's style and poetics, these thirteen vases present themselves as presences of extraordinary communicative force in the contemporary home, according to an idea of ​​living linked to the quality of the objects that populate it, particularly dear to the Numa project.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«When I read these words that Mario Botta had written for the presentation of the vases he designed, I understood that I could find in him the harmony I was looking for to be able to create, with pewter, the works he had designed. The collection designed by Mario Botta consists of 13 vases, 6 of which are now put into production by Numa in a limited edition of 33 pieces. Each vase is made from melted pewter sheets, shaped and welded by hand. It is handcrafted with brushing and polishing operations. The thirteen vases that we now present are presences of extraordinary communicative power, unmistakable examples of Mario Botta's sign and poetics; they are the representation of the work of Alfredo Marinoni, a true master in pewter working, with whom I shared the entire Numa journey with the material that he works with unparalleled mastery. Tredicivasi is the increasingly fascinating continuation of the Numa journey and project.\"\u003cbr\u003e\n Roberto Zani\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003eTredicivasi is a collection of large pewter vases, designed by Mario Botta with multiple arms as a \"tree metaphor\". Thirteen table architectures whose geometries are expressed very well by pewter, an ancient material of great plastic strength. A material that Numa has brought back to the contemporary in recent years by entrusting its manufacturing to Alfredo Marinoni, a master in working with pewter and who for these vases is cast in slabs and subsequently finished by hand.\u003c\/p\u003e\n\n\u003cp\u003e Vases obtained from the fusion of pewter plates (alloy of tin, antimony and copper), modeled, welded and polished by hand.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525213073734,"sku":"NU1TRV\/11","price":3057.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NuMA-13-Vasi-Mario-Botta-Undici-scorcio.jpg?v=1694621228"},{"product_id":"scatola-segreta-zita-2","title":"SECRET BOXES - ZITA","description":"\u003cp\u003eSolid wood box cm 18x18x21.5h, limited edition of 99 pieces. Structure in solid maple carved from a single block. Yellow aniline coloring. Wax finish\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"I wanted to design boxes to be opened by carefully lifting the lid slowly with two hands, as if the box could sense that I am gentle with it and that I have no intention of mistreating it. Boxes made of precious woods to hold even somewhat secret things: a special brush, some small notebooks of special paper, or more simply something I would like to keep secret. Perhaps love notes.\" \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEttore Sottsass \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eEttore Sottsass designed for Numa \u003cstrong\u003eSecret Boxes\u003c\/strong\u003e, made of plywood: five small architectural pieces that express a very personal vision of the value of things: that symbolic value that certain meaningful objects can acquire when we use them for a very specific reason.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRosalia\u003c\/strong\u003e, \u003cstrong\u003eAgnese\u003c\/strong\u003e, \u003cstrong\u003eTeresa\u003c\/strong\u003e, \u003cstrong\u003eZita\u003c\/strong\u003e and \u003cstrong\u003eAgata\u003c\/strong\u003e are the names of the five wooden boxes offered in 99 numbered editions. Five small architectural pieces that express a very personal vision of the value of things: that symbolic value that certain meaningful objects can acquire when we use them for a very specific reason. Five extraordinary interpretations by Ettore Sottsass of a traditional material like wood, in the strongly iconographic language that distinguishes this great designer.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaple from Europe, solid wood\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eProcessing steps:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe box making process begins with a careful selection of solid maple wood to achieve a homogeneous color and grain pattern.\u003c\/li\u003e\n\u003cli\u003eThe solid maple is then hand-carved according to the design.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eOnce the different faces and the bottom part are obtained, the parts are glued and joined; the horizontal parts are worked and joined using a rebate; the vertical joints are made with internal wooden cores.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe lid of the box is carved from the solid wood to create the closing rebate; the protruding lamellae are fixed one by one to the lid using hidden internal wooden cores.\u003c\/li\u003e\n\u003cli\u003eAfter an adequate period, the surfaces are hand-sanded with cuttlefish paper and the edges are rounded.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe box is manually colored with yellow aniline pigments.\u003c\/li\u003e\n\u003cli\u003eA first coat of \"primer\" is then applied by hand with a brush to seal the wood pores.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe surfaces are then re-sanded by hand with increasingly finer cuttlefish papers.\u003c\/li\u003e\n\u003cli\u003eStamping is performed.\u003c\/li\u003e\n\u003cli\u003eAnother coat of varnish is applied with a brush to make the surfaces \"silky.\"\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eAfter adequate drying, a layer of natural beeswax is applied by hand.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNB: all parts of this box, before being assembled, are left to rest for several months to make the wood more stable.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525216121158,"sku":"NU9SCA\/ZIT","price":2150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NU9SCAZIT-scaled-1.jpg?v=1694621265"},{"product_id":"bretone-2","title":"CASES - BRETON","description":"\u003cblockquote\u003eWalnut box, cm 15 x 15 x 22.5 h limited edition of 14 pieces. Construction features: blocks assembled with vertical fiber, solid national walnut (Iuglans Regia) worked manually by excavation, bleached. Finish: finished with wax impregnator and stripped\u003cbr\u003e Material: Iuglans Regia (National Walnut) from mid-mountain. Sawn in January 1994, dried for 6 months in the trunk and then stripped for 9 years in a covered but ventilated environment. Each specimen is signed and numbered. It is accompanied by a certificate of guarantee that attests to its authenticity and edition.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"The Custody is a small ark that welcomes and protects our dearest things, it is the wrapping with which we lovingly wrap objects, the signs of our affections, it is a small gesture in which we recognize our relationship with Creation.\u003c\/em\u003e \u003cem\u003eThe Custody is the home of our memory, it is a sign of love and a sign of how we ourselves feel loved and protected.\u003c\/em\u003e \u003cem\u003eWe build these small homes with Walnut (Iuglans Regia), a noble and precious wood, which is born and lives in our Prealps.\u003c\/em\u003e \u003cem\u003eWe work the essence following ancient methods and knowledge, a lively sensitivity and great manual skill are the basis of the constructive honesty that guides us. Even in these small containers we want to leave the sign of our vision of life\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eJoseph Rivadossi\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e Wood used: National walnut from the middle of the mountain (province of Italy), worked from solid wood. Blocks assembled and hollowed out by hand. \u003cbr\u003eIuglans Regia (National Walnut) from mid-mountain sawn in January 1994, dried for 6 months in the trunk and then stripped for 9 years in a covered but ventilated environment.\u003c\/p\u003e\n\n\u003cp\u003e The mid-mountain walnut has a particularly beautiful and characteristic structure and color of the fiber. It is also stronger and more resistant than the lowland walnut. The Italian walnut is a rare wood, because it is a very sensitive solitary tree, which does not grow in the forest, but only in areas where it can be cared for and protected.\u003c\/p\u003e\n\n\u003cp\u003e The wood used to make Giuseppe Rivadossi's CASES is walnut that is approximately a hundred years old. \u003cbr\u003eFor the economy of those who lived in the piedmont area, at the beginning of the last century, the walnut was part of the economic production cycle as a precious element of sustenance, they were trees that farmers appreciated for their characteristics of resistance and workability, but no less for the fruit they gave and therefore they were taken into consideration, cared for and protected.\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e The wood used for these cases therefore belongs to a civilization, the peasant one, which today has irremediably disappeared.\u003c\/p\u003e\n\n\u003cp\u003e Processing phases (each step is carried out entirely by hand):\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e The trunk used was felled in the appropriate season of the year, January, and with a waning moon.\u003c\/li\u003e\n\n\u003cli\u003e After a few months the trunk was sawn into planks and immediately reassembled and left to rest for about 6 months. During this period the trunk \"ferments\" by evening out the color and calming the internal tensions in the wood fiber itself.\u003c\/li\u003e\n\n \u003cli\u003eThe wood was then debarked and dried in a dry, ventilated place.\u003c\/li\u003e\n\n\u003cli\u003e After about 10 years, the work can begin: the wood is then roughed out, prismed and reconstituted in a block with special glues so that it can be dug and sculpted. These cutting and recompacting operations are necessary to have wood that, even if it undergoes variations due to the humidity of the environments, will not crack.\u003c\/li\u003e\n\n\u003cli\u003e Giuseppe Rivadossi gives the desired shape to the block of wood by carving it directly with a gouge and chisel, files and sandpaper until he obtains the desired shape and result.\u003c\/li\u003e\n\n\u003cli\u003e We then proceed to the finishing of the surfaces: whitening of the emerging parts; sanding of the surfaces with cuttlefish paper; varnishing with an impregnating agent to close the pores of the wood; re-sanding of the surfaces with increasingly fine cuttlefish paper; stripping; treatment with natural beeswax.\u003c\/li\u003e\n\n\u003cli\u003e Finish: finished with wax impregnator and stripped\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cspan class=\"Apple-converted-space\"\u003eProcessing tools:\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n \u003cli\u003eFor cutting the tree: band saw.\u003c\/li\u003e\n\n\u003cli\u003e For sawing the log: band saw, circular saw, planer, thicknesser.\u003c\/li\u003e\n\n\u003cli\u003e For excavation: specially made cutting steel gouge and chisel.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525223461190,"sku":"NU9CUS\/BRE","price":2678.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NU9CUSBRE-copia.jpg?v=1694621423"},{"product_id":"teodora","title":"METALLIA - THEODORA","description":"\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave the objects a dark, medieval, Germanic surface: this alloy instead contains antimony: thus brilliant objects are created, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e\n \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new shapes, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers , of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was worked in Europe as early as the beginning of the sixteenth century, casting a tin alloy into engraved iron or brass shapes, and subsequently working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, it has extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains the peculiar characteristics that distinguish it and the great plastic yield unchanged; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as naturally for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition underlying METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic abilities of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensitivity, particularly attentive to the use of materials in the artisan and industrial fields, enthusiastically joined the realization of the METALLIA project . The adhesion of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , an anarchist poet of this century's architecture and one of the fathers of design, was of fundamental comfort to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for a meeting between the knowledge of the craftsman, who knows the material and the techniques for working it, and the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of doing.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525225754950,"sku":"ME9SOTEO","price":600.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9SOTEO-Teodora-E_Sottsass.jpg?v=1694621490"},{"product_id":"vaso-uno","title":"THIRTEEN VASES - VASE ONE","description":"\u003cblockquote\u003e Pewter vase cm 33x18,5x27,5 h, limited edition of 33 pieces made on request. Vases obtained by melting sheets of pewter (alloy of tin, antimony and copper), modeled, soldered and polished by hand.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Produced in limited numbers, these vases were modeled by recalling the metaphor of the tree. They are objects that present themselves as table architectures, which show the size and measure of the gesture and the hands that shaped them.\"\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eMario Botta\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e Unmistakable examples of Mario Botta's style and poetics, these thirteen vases present themselves as presences of extraordinary communicative power in the contemporary home, according to an idea of ​​living linked to the quality of the objects that populate it, particularly dear to the Numa project.\u003c\/p\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«When I read these words that Mario Botta had written for the presentation of the vases he designed, I understood that I could find in him the harmony I was looking for to be able to create, with pewter, the works he had designed. The collection designed by Mario Botta is composed of 13 vases, 6 of which are now being produced by Numa in a limited edition of 33 pieces. Each vase is obtained from sheets of pewter melted, shaped and welded by hand. It is finished by hand with brushing and polishing operations. The thirteen vases that we are now presenting are presences of extraordinary communicative force, unmistakable examples of Mario Botta's sign and poetics; they are the representation of the work of Alfredo Marinoni, a true Master in pewter processing, with whom I have shared the entire Numa journey expressed with the material he works with unparalleled mastery. Tredicivasi is the increasingly fascinating continuation of the Numa journey and project».\u003cbr\u003e Roberto Zani\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003eTredicivasi is a collection of large pewter vases, designed by Mario Botta with multiple arms as a “metaphor of the tree”. Thirteen table architectures whose geometries are very well expressed by pewter, an ancient material of great plastic strength. A material that Numa has brought back to the contemporary in recent years by entrusting its manufacture to Alfredo Marinoni, a master in the processing of pewter and which for these vases is cast in sheets and then finished by hand.\u003c\/p\u003e\n\n\u003cp\u003e Vases obtained by melting sheets of pewter (an alloy of tin, antimony and copper), shaped, welded and polished by hand. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Material.\u003cbr\u003e Pewter is an alloy composed of tin and small quantities of antimony and copper. Due to its ductility, it has been used since ancient times by man to create objects of common use. In the centuries closest to us, a percentage of lead was added to the tin, which was soon banned due to its toxicity. \u003cbr\u003eThe pewter used to make Numa objects is an alloy composed of 95% tin, and the absolute absence of lead makes it fully compliant with the EEC regulation EN-611\/1. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Processing phases:\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e The first operation related to the production cycle is the purchase of the raw material in loaves or sheets of pewter ready to be melted, or the purchase of loaves or sheets of tin, wires or bars of copper and antimony, which, melted in the appropriate melting furnace at a temperature of 250-300° C, give the pewter.\u003c\/li\u003e\n\n\u003cli\u003e The molten metal is poured manually to form pewter sheets of varying sizes. The sheets are bent and made to adhere to wooden or ceramic cores until they reach the desired shape.\u003c\/li\u003e\n\n\u003cli\u003e The various parts are then assembled through tin welding, until the vase is formed in its final shape.\u003c\/li\u003e\n\n\u003cli\u003e Polishing operations using brushes follow.\u003c\/li\u003e\n\n\u003cli\u003e Each single vase is finally stamped with the designer's signature, the Numa logo and its numbering.\n\u003cdiv class=\"column\"\u003e\n\n \u003cp\u003eNB The process of making these vases is done entirely by hand.\u003cbr\u003e All the manufacturing phases are carried out by highly specialized workers, at the atelier of the master pewterer Alfredo Marinoni, Cellatica (BS). \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525226279238,"sku":"NU9TRV\/1","price":5376.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NuMA-13-Vasi-Mario-Botta-Uno-particolari.jpg?v=1694621521"},{"product_id":"catullo","title":"METALLIA - CATULLUS","description":"\u003cblockquote\u003e Jar cm ø 10 h.18. The research on the rendering of the surfaces makes this “jar” very special. The patient artisanal workmanship engraves a thin textured design on the circular surface. The shape of the object is very simple so as not to disturb the play of light and shadow that forms on the surface.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e \u003cbr\u003e\u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e \u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525227163974,"sku":"ME9STCAT","price":210.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9STCAT-Catullo.jpg?v=1694621554"},{"product_id":"dolmen","title":"CASES - DOLMEN","description":"\u003cblockquote\u003eWalnut box, cm 38x18x25h limited edition of 14 pieces. Construction features: blocks assembled with vertical fiber, solid national walnut (Iuglans Regia) worked manually by excavation, bleached. Finish: finished with wax impregnator and stripped.\u003cbr\u003e Material: Iuglans Regia (National Walnut) from mid-mountain. Sawn in January 1994, dried 6 months in the trunk and then stripped 9 years in a covered but ventilated environment.\u003cbr\u003e Each copy is signed and numbered. It is accompanied by a certificate of guarantee that attests to its authenticity and edition.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"The Custody is a small ark that welcomes and protects our dearest things, it is the wrapping with which we lovingly wrap objects, the signs of our affections, it is a small gesture in which we recognize our relationship with Creation.\u003c\/em\u003e \u003cem\u003eThe Custody is the home of our memory, it is a sign of love and a sign of how we ourselves feel loved and protected.\u003c\/em\u003e \u003cem\u003eWe build these small homes with Walnut (Iuglans Regia), a noble and precious wood, which is born and lives in our Prealps.\u003c\/em\u003e \u003cem\u003eWe work the essence following ancient methods and knowledge, a lively sensitivity and great manual skill are the basis of the constructive honesty that guides us. Even in these small containers we want to leave the sign of our vision of life\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eJoseph Rivadossi\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e Wood used: National walnut from the middle of the mountain (province of Italy), worked from solid wood. Blocks assembled and hollowed out by hand. \u003cbr\u003eIuglans Regia (National Walnut) from mid-mountain sawn in January 1994, dried for 6 months in the trunk and then stripped for 9 years in a covered but ventilated environment.\u003c\/p\u003e\n\n\u003cp\u003e The mid-mountain walnut has a particularly beautiful and characteristic structure and color of the fiber. It is also stronger and more resistant than the lowland walnut. The Italian walnut is a rare wood, because it is a very sensitive solitary tree, which does not grow in the forest, but only in areas where it can be cared for and protected.\u003c\/p\u003e\n\n\u003cp\u003e The wood used to make Giuseppe Rivadossi's CASES is walnut that is approximately a hundred years old. \u003cbr\u003eFor the economy of those who lived in the piedmont area, at the beginning of the last century, the walnut was part of the economic production cycle as a precious element of sustenance, they were trees that farmers appreciated for their characteristics of resistance and workability, but no less for the fruit they gave and therefore they were taken into consideration, cared for and protected.\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e The wood used for these cases therefore belongs to a civilization, the peasant one, which today has irremediably disappeared.\u003c\/p\u003e\n\n\u003cp\u003e Processing phases (each step is carried out entirely by hand):\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e The trunk used was felled in the appropriate season of the year, January, and with a waning moon.\u003c\/li\u003e\n\n\u003cli\u003e After a few months the trunk was sawn into planks and immediately reassembled and left to rest for about 6 months. During this period the trunk \"ferments\" by evening out the color and calming the internal tensions in the wood fiber itself.\u003c\/li\u003e\n\n \u003cli\u003eThe wood was then debarked and dried in a dry, ventilated place.\u003c\/li\u003e\n\n\u003cli\u003e After about 10 years, the work can begin: the wood is then roughed out, prismed and reconstituted in a block with special glues so that it can be dug and sculpted. These cutting and recompacting operations are necessary to have wood that, even if it undergoes variations due to the humidity of the environments, will not crack.\u003c\/li\u003e\n\n\u003cli\u003e Giuseppe Rivadossi gives the desired shape to the block of wood by carving it directly with a gouge and chisel, files and sandpaper until he obtains the desired shape and result.\u003c\/li\u003e\n\n\u003cli\u003e We then proceed to the finishing of the surfaces: whitening of the emerging parts; sanding of the surfaces with cuttlefish paper; varnishing with an impregnating agent to close the pores of the wood; re-sanding of the surfaces with increasingly fine cuttlefish paper; stripping; treatment with natural beeswax.\u003c\/li\u003e\n\n\u003cli\u003e Finish: finished with wax impregnator and stripped.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cspan class=\"Apple-converted-space\"\u003eProcessing tools:\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n \u003cli\u003eFor cutting the tree: band saw.\u003c\/li\u003e\n\n\u003cli\u003e For sawing the log: band saw, circular saw, planer, thicknesser.\u003c\/li\u003e\n\n\u003cli\u003e For excavation: specially made cutting steel gouge and chisel.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525231980870,"sku":"NU9CUS\/DOL","price":3697.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NU9CUSDOL-scaled-e1585695972331.jpg?v=1694621676"},{"product_id":"giuturna","title":"METALLIA - GIUTURNA","description":"\u003cblockquote\u003e Conical box cm ø 18 h.20, whose lid acts as a small tray. Of the family, the tallest and most slender.\u003cbr\u003e Elegant and important like a beautiful lady ready for a party, it easily finds its place in our home and work environment.\u003cbr\u003e The handcrafted pewter processing makes the surface of this object luminous and highlights its material characteristics.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525232734534,"sku":"ME9LEGIU","price":259.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9LEGIU_1.jpg?v=1694621711"},{"product_id":"tavola-rotonda-rossa","title":"NUMA - RED ROUND TABLE","description":"\u003cp\u003e Pewter and Murano glass stand ø cm 32x18 h, limited edition of 99 pieces. Pewter casting hand-finished with welding and brush polishing operations. Plate in blown Murano glass.\u003c\/p\u003e\n\n \u003cp\u003eTavole are six large limited-edition centerpieces, in pewter or pewter and blown glass \"designed to give meaning to the table and make it more magical and ritual\". Extraordinary interpretations by Ettore Sottsass of traditional materials, in the strongly iconographic language that distinguishes the great master.\u003c\/p\u003e\n\n\u003cp\u003e Ettore Sottsass's design journey takes us, in 2004, to the meeting between the lightness and color of Murano glass with the strong architectural construction of the pewter parts. The transparency of the glass does not hide the structure of the metal, it contains and discreetly protects the good fruits and offers them to our desire as a precious good. The IV NUMA collection is made up of six pieces, six centerpieces that tell us about the joy and pleasure of thinking of objects that will accompany us in our gestures and daily rituals, becoming a happy part of our everyday life.\u003c\/p\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003cbr\u003e Ettore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003ePewter is an ancient material, which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Numa collections, is a noble alloy in all respects, it has extraordinary characteristics of ductility and great plastic yield. Contemporary Pewter is made of a composite set of metals, with the absolute exclusion of lead; it therefore maintains the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as, of course, for all furnishing objects. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Material:\u003c\/p\u003e\n\n \u003cp\u003ePewter is an alloy composed of tin and small quantities of antimony and copper. Due to its ductility, it has been used since ancient times by man to create objects of common use. In the centuries closest to us, a percentage of lead was added to the tin, which was soon banned due to its toxicity. The pewter used to create Numa objects is an alloy composed of 95% tin, and the absolute absence of lead makes it fully compliant with the EN-611\/1 regulation of the EEC.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Processing phases:\u003c\/p\u003e\n\n\u003col\u003e\n\n\u003cli\u003e The first operation related to the production cycle is the purchase of the raw material in loaves or sheets of pewter ready to be melted, or the purchase of loaves or sheets of tin, wires or bars of copper and antimony, which, melted in the appropriate melting furnace at a temperature of 250-300° C, give the pewter.\u003c\/li\u003e\n\n \u003cli\u003eThe molten metal is poured manually using a ladle into rubber molds. These molds are mounted on centrifuges: machines that rotate the mold during the casting and drying phase of the alloy.\u003c\/li\u003e\n\n\u003cli\u003e After the drying phase, the operator extracts the product, which is then deburred with scissors and sanded.\u003c\/li\u003e\n\n\u003cli\u003e For the pieces that need it, manual assembly follows by tin welding.\u003c\/li\u003e\n\n\u003cli\u003e The pieces are then manually inserted into the vibrators, where they remain for about 2 hours. Vibration smoothes the surface of the object using water and ceramic inserts (inert material).\u003c\/li\u003e\n\n\u003cli\u003e Upon exiting the vibrators, the pieces are checked and, if necessary, straightened using rubber hammers. After this phase, the final phase of hand polishing using brushes takes place.\u003c\/li\u003e\n\n\u003cli\u003e Each single piece is finally stamped with the designer's signature, the Numa logo and its numbering. \u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n \u003cp\u003eNB All the manufacturing phases are carried out by highly specialized workers, at the atelier of the master pewterer Alfredo Marinoni, Cellatica (BS). \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525235061062,"sku":"ME9TAV\/ROSS","price":1267.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9TAVROSS-scaled-1.jpg?v=1694621750"},{"product_id":"basilio","title":"Basil","description":"\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e\u003cem\u003e«Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave the objects a dark, medieval, Germanic surface: this alloy instead contains antimony: thus brilliant objects are created, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e\n \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new shapes, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers , of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was worked in Europe as early as the beginning of the sixteenth century, casting a tin alloy into engraved iron or brass shapes, and subsequently working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, it has extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains the peculiar characteristics that distinguish it and the great plastic yield unchanged; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as naturally for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition underlying METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic abilities of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensitivity, particularly attentive to the use of materials in the artisan and industrial fields, enthusiastically joined the realization of the METALLIA project . The adhesion of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , an anarchist poet of this century's architecture and one of the fathers of design, was of fundamental comfort to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for a meeting between the knowledge of the craftsman, who knows the material and the techniques for working it, and the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of doing.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525235945798,"sku":"ME9SOBAS","price":586.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9SOBAS_Basilio_Sottsass.jpg?v=1694621766"},{"product_id":"teresa","title":"SECRET BOXES - TERESA","description":"\u003cp\u003ePlywood box 15x15x23.5h cm, limited edition of 99 pieces. Birch plywood structure covered with three layers of zebrano. Knob and base in solid black ebony. Wax finish.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"I wanted to design boxes to be opened by carefully lifting the lid slowly with two hands, as if the box could feel that I am gentle with it and that I have no intention of mistreating it. Boxes made with precious woods to put even somewhat secret things: a special brush, some special paper notebooks or, more simply, something I would like to keep secret. Perhaps love notes.\"\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEttore Sottsass \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eEttore Sottsass designed \u003cstrong\u003eSecret Boxes\u003c\/strong\u003e for Numa, made of plywood: five small architectures that express a very personal vision of the value of things: that symbolic value that certain meaningful objects can acquire when we use them for a very specific reason.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRosalia\u003c\/strong\u003e, \u003cstrong\u003eAgnese\u003c\/strong\u003e, \u003cstrong\u003eTeresa\u003c\/strong\u003e, \u003cstrong\u003eZita\u003c\/strong\u003e, and \u003cstrong\u003eAgata\u003c\/strong\u003e are the names of the five wooden boxes offered in 99 numbered editions. Five small architectures that express a very personal vision of the value of things: that symbolic value that certain meaningful objects can acquire when we use them for a very specific reason. Five extraordinary interpretations by Ettore Sottsass of a traditional material like wood, in the strongly iconographic language that distinguishes this great designer.\u003c\/p\u003e\n\u003cp\u003eMaterial:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eZebrano from Africa, solid parts.\u003c\/li\u003e\n\u003cli\u003eEbony from Indonesia, solid parts.\u003c\/li\u003e\n\u003cli\u003eBirch from Russia. Birch plywood composed of 7 layers of 20\/10 mm with cross grain to make the wood stable.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eProcessing stages:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe process begins with a careful selection of woods to achieve a homogeneous effect of color and grain pattern.\u003c\/li\u003e\n\u003cli\u003eThe parts that make up the box are cut.\u003c\/li\u003e\n\u003cli\u003eSolid zebrano edges are fixed to the profiles of the birch plywood facades.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eEach part is then veneered, internally and externally, with a layer of zebrano 20\/10 mm thick.\u003c\/li\u003e\n\u003cli\u003eThe parts that make up the box are glued and fitted together. The horizontal joints are worked and joined by rebate, while the vertical ones are made with internal wooden cores.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe two knobs are constructed; the ebony is turned from solid wood after a careful selection of the trunk to be worked. The trunks are small and full of defects. About 70% is discarded to obtain solid blocks suitable for processing.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe knobs are left to rest for several months before being further worked on the surfaces and fixed to the lid, to allow for further wood stabilization.\u003c\/li\u003e\n\u003cli\u003eAfter adequate time, the box surfaces are worked with sandpaper and the edges are rounded.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eA first coat of \"primer\" is applied by hand, with a brush, to close the pores of the wood.\u003c\/li\u003e\n\u003cli\u003eThe surfaces are then re-sanded by hand with progressively finer sandpaper.\u003c\/li\u003e\n\u003cli\u003eStamping is carried out.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eAnother coat of varnish is applied with a brush, to make the surface \"silky\".\u003c\/li\u003e\n\u003cli\u003eAfter adequate drying, a layer of natural beeswax is applied by hand.\u003c\/li\u003e\n\u003cli\u003eThe knobs, which have undergone the same surface treatment as the box, are fixed to it with hidden interlocking cylindrical wooden pins.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNB. The processing of ebony parts requires great care, as the raw wood releases a black dust that penetrates the fibers of other woods, irrevocably staining them. Ebony must be worked alone and separated from other woods until after its varnishing.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525237813574,"sku":"NU9SCA\/TER","price":2150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NU9SCATER-scaled-1_416130d1-219d-4821-972c-8bb378df4ee5.jpg?v=1694621801"},{"product_id":"tacito","title":"METALLIA - TACIT","description":"\u003cblockquote\u003e Letter opener cm 20 h.6.\u003cbr\u003e The little bird fits its long tail into a small cylindrical support.\u003cbr\u003e Perfectly balanced, it waits on your desk to be used.\u003cbr\u003e A surprise: a secret space is hidden in the cylindrical support!\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , an anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525243220294,"sku":"ME9STTAC","price":102.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9ST-Tacito-con-Cosma-e-Damiano_19f47fd1-9f3f-4d68-9e46-13675d4c3c54.jpg?v=1694621935"},{"product_id":"tavola-rotonda-viola","title":"NUMA - PURPLE ROUND TABLE","description":"\u003cp\u003e Pewter and Murano glass stand ø cm 32x14.5 h, limited edition of 99 pieces. Pewter casting hand-finished with welding and brush polishing operations. Plate in blown Murano glass.\u003c\/p\u003e\n\n \u003cp\u003eTavole are six large limited-edition centerpieces, in pewter or pewter and blown glass \"designed to give meaning to the table and make it more magical and ritual\". Extraordinary interpretations by Ettore Sottsass of traditional materials, in the strongly iconographic language that distinguishes the great master.\u003c\/p\u003e\n\n\u003cp\u003e Ettore Sottsass's design journey takes us, in 2004, to the meeting between the lightness and color of Murano glass with the strong architectural construction of the pewter parts. The transparency of the glass does not hide the structure of the metal, it contains and discreetly protects the good fruits and offers them to our desire as a precious good. The IV NUMA collection is made up of six pieces, six centerpieces that tell us about the joy and pleasure of thinking of objects that will accompany us in our gestures and daily rituals, becoming a happy part of our everyday life.\u003c\/p\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003cbr\u003e Ettore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003ePewter is an ancient material, which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Numa collections, is a noble alloy in all respects, it has extraordinary characteristics of ductility and great plastic yield. Contemporary Pewter is made of a composite set of metals, with the absolute exclusion of lead; it therefore maintains the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as, of course, for all furnishing objects. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Material:\u003c\/p\u003e\n\n \u003cp\u003ePewter is an alloy composed of tin and small quantities of antimony and copper. Due to its ductility, it has been used since ancient times by man to create objects of common use. In the centuries closest to us, a percentage of lead was added to the tin, which was soon banned due to its toxicity. The pewter used to create Numa objects is an alloy composed of 95% tin, and the absolute absence of lead makes it fully compliant with the EN-611\/1 regulation of the EEC.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Processing phases:\u003c\/p\u003e\n\n\u003col\u003e\n\n\u003cli\u003e The first operation related to the production cycle is the purchase of the raw material in loaves or sheets of pewter ready to be melted, or the purchase of loaves or sheets of tin, wires or bars of copper and antimony, which, melted in the appropriate melting furnace at a temperature of 250-300° C, give the pewter.\u003c\/li\u003e\n\n \u003cli\u003eThe molten metal is poured manually using a ladle into rubber molds. These molds are mounted on centrifuges: machines that rotate the mold during the casting and drying phase of the alloy.\u003c\/li\u003e\n\n\u003cli\u003e After the drying phase, the operator extracts the product, which is then deburred with scissors and sanded.\u003c\/li\u003e\n\n\u003cli\u003e For the pieces that need it, manual assembly follows by tin welding.\u003c\/li\u003e\n\n\u003cli\u003e The pieces are then manually inserted into the vibrators, where they remain for about 2 hours. Vibration smoothes the surface of the object using water and ceramic inserts (inert material).\u003c\/li\u003e\n\n\u003cli\u003e Upon exiting the vibrators, the pieces are checked and, if necessary, straightened using rubber hammers. After this phase, the final phase of hand polishing using brushes takes place.\u003c\/li\u003e\n\n\u003cli\u003e Each single piece is finally stamped with the designer's signature, the Numa logo and its numbering. \u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n \u003cp\u003eNB All the manufacturing phases are carried out by highly specialized workers, at the atelier of the master pewterer Alfredo Marinoni, Cellatica (BS). \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525244629318,"sku":"ME9TAV\/VIOL","price":1267.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9TAVVIOL_1-scaled-e1586113137547.jpg?v=1694621959"},{"product_id":"vela","title":"CASES - SAIL","description":"\u003cblockquote\u003e Walnut box, cm 15 x 15 x 22.5 h limited edition of 14 pieces Construction features: assembled with vertical fiber, manually excavated using a gouge and sandpaper. Finish: finished with three coats of wax impregnator.\u003cbr\u003e Material: Walnut from the Piedmont pre-Alps. Sawn in February 1999, dried for 6 months in the trunk and then stripped for 4 years in a covered but ventilated environment. It then receives a final treatment of one week in a vacuum in an autoclave. Each piece is signed and numbered. It is accompanied by a certificate of guarantee that attests to its authenticity and edition.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"The Custody is a small ark that welcomes and protects our dearest things, it is the wrapping with which we ourselves lovingly wrap objects, the signs of our affections, it is a small gesture in which we recognize our relationship with Creation.\u003c\/em\u003e \u003cem\u003eThe Custody is the home of our memory, it is a sign of love and a sign of how we ourselves feel loved and protected.\u003c\/em\u003e \u003cem\u003eWe build these small homes with Walnut (Iuglans Regia), a noble and precious wood, which is born and lives in our Prealps.\u003c\/em\u003e \u003cem\u003eWe work the essence following ancient methods and knowledge, a lively sensitivity and great manual skill are the basis of the constructive honesty that guides us. Even in these small containers we want to leave the sign of our vision of life\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eJoseph Rivadossi\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e Wood used: National walnut from the middle of the mountain (province of Italy), worked from solid wood. Blocks assembled and hollowed out by hand. \u003cbr\u003eWalnut from the Piedmont pre-Alps. Sawn in February 1999, dried 6 months in the trunk and then stripped 4 years in a covered but ventilated environment. It then receives a final treatment of one week under vacuum in an autoclave.\u003c\/p\u003e\n\n\u003cp\u003e The mid-mountain walnut has a particularly beautiful and characteristic structure and color of the fiber. It is also stronger and more resistant than the lowland walnut. The Italian walnut is a rare wood, because it is a very sensitive solitary tree, which does not grow in the forest, but only in areas where it can be cared for and protected.\u003c\/p\u003e\n\n\u003cp\u003e The wood used to make Giuseppe Rivadossi's CASES is walnut that is approximately a hundred years old. \u003cbr\u003eFor the economy of those who lived in the piedmont area, at the beginning of the last century, the walnut was part of the economic production cycle as a precious element of sustenance, they were trees that farmers appreciated for their characteristics of resistance and workability, but no less for the fruit they gave and therefore they were taken into consideration, cared for and protected.\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e The wood used for these cases therefore belongs to a civilization, the peasant one, which today has irremediably disappeared.\u003c\/p\u003e\n\n\u003cp\u003e Processing phases (each step is carried out entirely by hand):\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e The trunk used was felled in the appropriate season of the year, January, and with a waning moon.\u003c\/li\u003e\n\n\u003cli\u003e After a few months the trunk was sawn into planks and immediately reassembled and left to rest for about 6 months. During this period the trunk \"ferments\" by evening out the color and calming the internal tensions in the wood fiber itself.\u003c\/li\u003e\n\n \u003cli\u003eThe wood was then debarked and dried in a dry, ventilated place.\u003c\/li\u003e\n\n\u003cli\u003e After about 10 years, the work can begin: the wood is then roughed out, prismed and reconstituted in a block with special glues so that it can be dug and sculpted. These cutting and recompacting operations are necessary to have wood that, even if it undergoes variations due to the humidity of the environments, will not crack.\u003c\/li\u003e\n\n\u003cli\u003e Giuseppe Rivadossi gives the desired shape to the block of wood by carving it directly with a gouge and chisel, files and sandpaper until he obtains the desired shape and result.\u003c\/li\u003e\n\n\u003cli\u003e We then proceed to the finishing of the surfaces: whitening of the emerging parts; sanding of the surfaces with cuttlefish paper; varnishing with an impregnating agent to close the pores of the wood; re-sanding of the surfaces with increasingly fine cuttlefish paper; stripping; treatment with natural beeswax.\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan class=\"Apple-converted-space\"\u003eFinish: finished with three coats of wax impregnator.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003eProcessing tools:\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e For cutting the tree: band saw.\u003c\/li\u003e\n\n\u003cli\u003e For sawing the log: band saw, circular saw, planer, thicknesser.\u003c\/li\u003e\n\n\u003cli\u003e For excavation: specially made cutting steel gouge and chisel.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525245251910,"sku":"NU9CUS\/VEL","price":2018.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NU9CUSVEL.jpg?v=1694621974"},{"product_id":"nisa","title":"METALLIA - NISA","description":"\u003cblockquote\u003e Small conical box cm ø 8 h.2,5. Small jewel in shape and workmanship, built to contain what is particularly dear to us.\u003cbr\u003e This is its function, achieved through completely artisanal work: Metal worked on a lathe, welded, polished for an elegant shape designed with wisdom and knowledge.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525248201030,"sku":"ME9LENIS","price":54.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9LENIS_1.jpg?v=1694622049"},{"product_id":"tavola-rotonda-acquamarina","title":"NUMA - AQUAMARINE ROUND TABLE","description":"\u003cp\u003e Pewter and Murano glass stand ø cm 32x10 h, limited edition of 99 pieces. Pewter casting hand-finished with welding and brush polishing operations. Plate in blown Murano glass.\u003c\/p\u003e\n\n \u003cp\u003eTavole are six large limited-edition centerpieces, in pewter or pewter and blown glass \"designed to give meaning to the table and make it more magical and ritual\". Extraordinary interpretations by Ettore Sottsass of traditional materials, in the strongly iconographic language that distinguishes the great master.\u003c\/p\u003e\n\n\u003cp\u003e Ettore Sottsass's design journey takes us, in 2004, to the meeting between the lightness and color of Murano glass with the strong architectural construction of the pewter parts. The transparency of the glass does not hide the structure of the metal, it contains and discreetly protects the good fruits and offers them to our desire as a precious good. The IV NUMA collection is made up of six pieces, six centerpieces that tell us about the joy and pleasure of thinking of objects that will accompany us in our gestures and daily rituals, becoming a happy part of our everyday life.\u003c\/p\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003cbr\u003e Ettore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003ePewter is an ancient material, which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Numa collections, is a noble alloy in all respects, it has extraordinary characteristics of ductility and great plastic yield. Contemporary Pewter is made of a composite set of metals, with the absolute exclusion of lead; it therefore maintains the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as, of course, for all furnishing objects.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Material:\u003c\/p\u003e\n\n \u003cp\u003ePewter is an alloy composed of tin and small quantities of antimony and copper. Due to its ductility, it has been used since ancient times by man to create objects of common use. In the centuries closest to us, a percentage of lead was added to the tin, which was soon banned due to its toxicity. The pewter used to create Numa objects is an alloy composed of 95% tin, and the absolute absence of lead makes it fully compliant with the EN-611\/1 regulation of the EEC.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Processing phases:\u003c\/p\u003e\n\n\u003col\u003e\n\n\u003cli\u003e The first operation related to the production cycle is the purchase of the raw material in loaves or sheets of pewter ready to be melted, or the purchase of loaves or sheets of tin, wires or bars of copper and antimony, which, melted in the appropriate melting furnace at a temperature of 250-300° C, give the pewter.\u003c\/li\u003e\n\n \u003cli\u003eThe molten metal is poured manually using a ladle into rubber molds. These molds are mounted on centrifuges: machines that rotate the mold during the casting and drying phase of the alloy.\u003c\/li\u003e\n\n\u003cli\u003e After the drying phase, the operator extracts the product, which is then deburred with scissors and sanded.\u003c\/li\u003e\n\n\u003cli\u003e For the pieces that need it, manual assembly follows by tin welding.\u003c\/li\u003e\n\n\u003cli\u003e The pieces are then manually inserted into the vibrators, where they remain for about 2 hours. Vibration smoothes the surface of the object using water and ceramic inserts (inert material).\u003c\/li\u003e\n\n\u003cli\u003e Upon exiting the vibrators, the pieces are checked and, if necessary, straightened using rubber hammers. After this phase, the final phase of hand polishing using brushes takes place.\u003c\/li\u003e\n\n\u003cli\u003e Each single piece is finally stamped with the designer's signature, the Numa logo and its numbering. \u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n \u003cp\u003eNB All the manufacturing phases are carried out by highly specialized workers, at the atelier of the master pewterer Alfredo Marinoni, Cellatica (BS). \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525249282374,"sku":"ME9TLI\/ROTO","price":1628.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9TLIROTO_3.jpg?v=1694622087"},{"product_id":"tavola-rotonda-rovescia","title":"NUMA - ROUNDTABLE UPSIDE DOWN","description":"\u003cp\u003e Pewter centerpiece ø cm 30.5x8.5 h, limited edition of 49 pieces. Pewter casting finished by hand with welding and brush polishing operations. Plate in blown Murano glass.\u003c\/p\u003e\n\n\u003cp\u003e Tavole are six large limited-edition centerpieces, in pewter or pewter and blown glass \"designed to give meaning to the table and make it more magical and ritual\". Extraordinary interpretations by Ettore Sottsass of traditional materials, in the strongly iconographic language that distinguishes the great master.\u003c\/p\u003e\n\n \u003cp\u003eEttore Sottsass's design journey takes us, in 2004, to the meeting between the lightness and color of Murano glass with the strong architectural construction of the pewter parts. The transparency of the glass does not hide the structure of the metal, it contains and discreetly protects the good fruits and offers them to our desire as a precious good. The IV NUMA collection is made up of six pieces, six centerpieces that tell us about the joy and pleasure of thinking of objects that will accompany us in our gestures and daily rituals, becoming a happy part of our everyday life.\u003c\/p\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003cbr\u003e Ettore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003ePewter is an ancient material, which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Numa collections, is a noble alloy in all respects, it has extraordinary characteristics of ductility and great plastic yield. Contemporary Pewter is made of a composite set of metals, with the absolute exclusion of lead; it therefore maintains the peculiar characteristics that distinguish it and the great plastic yield unaltered; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as, of course, for all furnishing objects. \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Material:\u003c\/p\u003e\n\n \u003cp\u003ePewter is an alloy composed of tin and small quantities of antimony and copper. Due to its ductility, it has been used since ancient times by man to create objects of common use. In the centuries closest to us, a percentage of lead was added to the tin, which was soon banned due to its toxicity. The pewter used to create Numa objects is an alloy composed of 95% tin, and the absolute absence of lead makes it fully compliant with the EN-611\/1 regulation of the EEC.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e Processing phases:\u003c\/p\u003e\n\n\u003col\u003e\n\n\u003cli\u003e The first operation related to the production cycle is the purchase of the raw material in loaves or sheets of pewter ready to be melted, or the purchase of loaves or sheets of tin, wires or bars of copper and antimony, which, melted in the appropriate melting furnace at a temperature of 250-300° C, give the pewter.\u003c\/li\u003e\n\n \u003cli\u003eThe molten metal is poured manually using a ladle into rubber molds. These molds are mounted on centrifuges: machines that rotate the mold during the casting and drying phase of the alloy.\u003c\/li\u003e\n\n\u003cli\u003e After the drying phase, the operator extracts the product, which is then deburred with scissors and sanded.\u003c\/li\u003e\n\n\u003cli\u003e For the pieces that need it, manual assembly follows by tin welding.\u003c\/li\u003e\n\n\u003cli\u003e The pieces are then manually inserted into the vibrators, where they remain for about 2 hours. Vibration smoothes the surface of the object using water and ceramic inserts (inert material).\u003c\/li\u003e\n\n\u003cli\u003e Upon exiting the vibrators, the pieces are checked and, if necessary, straightened using rubber hammers. After this phase, the final phase of hand polishing using brushes takes place.\u003c\/li\u003e\n\n\u003cli\u003e Each single piece is finally stamped with the designer's signature, the Numa logo and its numbering. \u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n \u003cp\u003eNB All the manufacturing phases are carried out by highly specialized workers, at the atelier of the master pewterer Alfredo Marinoni, Cellatica (BS). \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525250724166,"sku":"ME9TLI\/ROVE","price":1335.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9TLIROVE_2-scaled-1_a95b2538-ebbb-49f2-aad9-bf945d16c0fa.jpg?v=1694622109"},{"product_id":"gimignano","title":"Gimignano, Office Set","description":"\u003cblockquote\u003e\n\n\u003cp style=\"text-align: left;\"\u003eOffice set cm 11x6 h.6 \/ 30x6,5 h. 3\/ 10x4 h.10\u003cbr data-mce-fragment=\"1\"\u003e Molten pewter, expertly polished by hand, which becomes lived matter. Small architecture, almost rough vertical walls that accompany us in our work.\u003c\/p\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525251281222,"sku":"ME9BOGIM","price":330.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9BOGIM_1.jpg?v=1694622124"},{"product_id":"lucillo","title":"METALLIA - LUCILLO","description":"\u003cblockquote\u003eJar cm ø 10 h.18. The objects designed by Marco Susani and Mario Trimarchi for Metallia, bear the mark of their continuous research on surfaces and their plastic rendering. The incidence of light creates a continuous play of light and shadow. Simple shapes to enhance the treatment of the walls of the object. Even the lid does not want to disturb, there will not be a knob, but a hole that will make it similar to an ancient Chinese stone from which a flower could unexpectedly emerge.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525251674438,"sku":"ME9STLUC","price":210.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9STLUC_Lucillo.jpg?v=1694622133"},{"product_id":"arca-serena","title":"CASES - ARCA SERENA","description":"\u003cblockquote\u003e \n\u003cspan style=\"font-size: 0.875rem;\"\u003eWalnut chest, cm 40 x 23 x 23 h limited edition of 14 pieces. Construction features: composite structure with two openings. Manually finished by hollowing out with a large plane. Finish: whitened on the edges and finished with three coats of wax impregnator.\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eMaterial: Iuglans Regia (National Walnut) from mid-mountain. Sawn in January 1994, dried for 6 months in the trunk and then stripped for 9 years in a covered but ventilated environment. Each specimen is signed and numbered. It is accompanied by a certificate of guarantee that attests to its authenticity and edition.\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n \u003cp style=\"text-align: right;\"\u003e\u003cem\u003e\"The Custody is a small ark that welcomes and protects our dearest things, it is the wrapping with which we lovingly wrap objects, the signs of our affections, it is a small gesture in which we recognize our relationship with Creation.\u003c\/em\u003e \u003cem\u003eThe Custody is the home of our memory, it is a sign of love and a sign of how we ourselves feel loved and protected.\u003c\/em\u003e \u003cem\u003eWe build these small homes with Walnut (Iuglans Regia), a noble and precious wood, which is born and lives in our Prealps.\u003c\/em\u003e \u003cem\u003eWe work the essence following ancient methods and knowledge, a lively sensitivity and great manual skill are the basis of the constructive honesty that guides us. Even in these small containers we want to leave the sign of our vision of life\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eJoseph Rivadossi\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e Wood used: National walnut from the middle of the mountain (province of Italy), worked from solid wood. Blocks assembled and hollowed out by hand.\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003eIuglans Regia (National Walnut) from mid-mountain sawn in January 1994, dried for 6 months in the trunk and then stripped for 9 years in a covered but ventilated environment.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e The mid-mountain walnut has a particularly beautiful and characteristic structure and color of the fiber. It is also stronger and more resistant than the lowland walnut. The Italian walnut is a rare wood, because it is a very sensitive solitary tree, which does not grow in the forest, but only in areas where it can be cared for and protected.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe wood used to make Giuseppe Rivadossi's CASES is walnut that is approximately a hundred years old. \u003cbr\u003eFor the economy of those who lived in the piedmont area, at the beginning of the last century, the walnut was part of the economic production cycle as a precious element of sustenance, they were trees that farmers appreciated for their characteristics of resistance and workability, but no less for the fruit they gave and therefore they were taken into consideration, cared for and protected.\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e The wood used for these cases therefore belongs to a civilization, the peasant one, which today has irremediably disappeared.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eProcessing phases (each step is carried out entirely by hand):\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe trunk used was felled in the appropriate season of the year, January, and with a waning moon.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\n\u003c\/li\u003e\n\n \u003cli\u003eAfter a few months the trunk was sawn into planks and immediately reassembled and left to rest for about 6 months. During this period the trunk \"ferments\" by evening out the color and calming the internal tensions in the wood fiber itself.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003eThe wood was then debarked and dried in a dry, ventilated place.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003eAfter about 10 years, the work can begin: the wood is then roughed out, prismed and reconstituted in a block with special glues so that it can be dug and sculpted. These cutting and recompacting operations are necessary to have wood that, even if it undergoes variations due to the humidity of the environments, will not crack.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003eGiuseppe Rivadossi gives the desired shape to the block of wood by carving it directly with a gouge and chisel, files and sandpaper until he obtains the desired shape and result.\u003c\/li\u003e\n\n \u003cli\u003eWe then proceed to the finishing of the surfaces: whitening of the emerging parts; sanding of the surfaces with cuttlefish paper; varnishing with an impregnating agent to close the pores of the wood; re-sanding of the surfaces with increasingly fine cuttlefish paper; stripping; treatment with natural beeswax.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cspan class=\"Apple-converted-space\"\u003eProcessing tools:\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e For cutting the tree: band saw.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003eFor sawing the log: band saw, circular saw, planer, thicknesser.\u003c\/li\u003e\n\n\u003cli\u003e For excavation: specially made cutting steel gouge and chisel.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525252034886,"sku":"NU9CUS\/ARC","price":2400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/NU9CUSARC-scaled-e1585691524208.jpg?v=1694622146"},{"product_id":"didone","title":"METALLIA - DIDO","description":"\u003cblockquote\u003eBox cm 12x20 h.12. Oval, crossed by a reed pattern that characterizes it and makes it unique.\u003cbr\u003e The light plays on the surface with lights and shadows, the flat lid closes without interfering with the beauty of the vertical body.\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n\n\u003cp style=\"text-align: right;\"\u003e \u003cem\u003e\"Pewter is an ancient metal alloy: tin, copper, lead... what is produced with this alloy is immobile, solid, heavy. Contemporary pewter no longer contains the lead that gave objects a dark, medieval, Germanic surface: this alloy contains antimony instead: this is how shiny objects are made, similar to silver, which however do not lose their immobility and presence\".\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eEttore Sottsass\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n \u003cp\u003e\u003cb\u003eMETALLIA is contemporary pewter.\u003c\/b\u003e Rediscovering an 'ancient' material, such as pewter, and giving it new forms, characterizing it with new surfaces, filling it with new meanings: this is the Metallia project, whose aim is to re-propose pewter objects through the interpretation of different designers, of their modern language, with the fundamental contribution of \u003cstrong\u003eAlfredo Marinoni\u003c\/strong\u003e 's know-how.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMetallia represents the meeting between the craftsman, who knows the material and knows how to work it, and the poetics of the project, which gives new expressiveness to the material.\u003c\/p\u003e\n\n \u003cp\u003ePewter is \u003cstrong\u003ean ancient material\u003c\/strong\u003e , which was already being worked in Europe at the beginning of the sixteenth century, by casting a tin alloy into engraved iron or brass moulds, and then working it with the corrosion and hammering technique to obtain traditional artisan shapes. Contemporary pewter, the protagonist of the Metallia collection, is a noble alloy in all respects, with extraordinary characteristics of ductility and great plastic yield.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eContemporary Pewter\u003c\/strong\u003e is made up of a composite set of metals, with the absolute exclusion of lead; it therefore maintains unchanged the peculiar characteristics that distinguish it and the great plastic yield; it is absolutely hygienic and can be used to produce objects to serve at the table and in the kitchen, as well as of course, for all furnishing objects.\u003c\/p\u003e\n\n \u003cp\u003eThe intuition that underlies METALLIA gives new strength to this ancient material, and the shapes, objects and proposals created are the truly remarkable result of the great artistic skills of the Designers that pervade Numa's work.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis is also demonstrated by the fact that \u003cstrong\u003eTamar Ben David\u003c\/strong\u003e , \u003cstrong\u003eLiliana Bonomi\u003c\/strong\u003e , \u003cstrong\u003eGiovanni Levanti\u003c\/strong\u003e , \u003cstrong\u003eMarco Susani\u003c\/strong\u003e and \u003cstrong\u003eMario Trimarchi\u003c\/strong\u003e , designers with a strong artistic sensibility, particularly attentive to the use of materials in the artisanal and industrial fields, enthusiastically supported the creation of the METALLIA project. The support of \u003cb\u003eEttore Sottsass\u003c\/b\u003e , anarchist poet of the architecture of this century and one of the fathers of design, was of fundamental support to the project.\u003c\/p\u003e\n\n \u003cp\u003eThe result of this work is expressed in a program of 28 objects, to decorate the table and the home, objects of great evocative power, which find a natural place in an environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe Metallia project is also the precise expression of the philosophy of the Numa brand, aimed at deepening the research and production of objects using materials traditionally used by artisans, but reinterpreted in the light of design.\u003c\/p\u003e\n\n\u003cp\u003e Metallia therefore represents, in the path undertaken by NUMA, the first opportunity for the knowledge of the craftsman, who knows the material and the techniques to work it, to meet with the poetics of the project, which gives the material a new expressiveness, a feeling of a new ethical and symbolic dimension of making.\u003c\/p\u003e","brand":"ZANI Shop","offers":[{"title":"Default Title","offer_id":48525252428102,"sku":"ME9STDID","price":162.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/files\/ME9STDID-Didone.jpg?v=1694622155"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/5820\/2182\/collections\/Arredo.png?v=1700840388","url":"https:\/\/zanishop.it\/en\/collections\/larredo.oembed?page=3","provider":"MEMENTO \u0026 ZANI Shop","version":"1.0","type":"link"}